Downton Abbey Portrays Reality of Interfaith RelationshipsBy Gerri Miller
Go inside Season 5 Episode 9 where the story line of Atticus and Rose's interfaith relationship comes to a head.Go To Pop Culture
Since the new Bravo reality show Princesses: Long Island began a few weeks ago, many blogs have popped up in the Jewish and secular media berating the show and the network for its portrayal of Long Island Jewish women. The bloggers’ responses range from horror to amused disgust to acceptance. JTA has a whole guide to blogs about the show.
If you haven’t seen the show, it’s about six twenty-something Jewish Long Islanders who live with their parents, agonize over finding a husband to take care of them, and for the most part, do not work. They seem to have been encouraged to make Judaism a big part of the show, as they are constantly touting how Jewish their lifestyle is and making a scene over drinking Manischewitz and eating Shabbat dinner.
This all might sound harmless and hardly cause for alarm, if it weren’t for the fact that the women on the show are so horribly over the top in their dependency on their parents, men and money. More than that, they actively promote stereotypes about Judaism, and explicitly say that their lifestyle is typically “Jewish” and “Long Island,” when there’s nothing typical about anything they say or do.
When one cast member says that she’s a Reform Jew, which means “We’re not that Jewish,” what is someone who doesn’t know the difference supposed to think?
You may ask, if there’s so much already out there about this nonsense, why bother adding to the mix? Because I learned this lesson well: When something is happening that is damaging to Jews, or any ethnic/religious group, I have a responsibility to speak out. Am I being melodramatic? I don’t think New York Congressman Steve Israel (who represents the part of Long Island where the show is filmed) would think so. Yup, he’s blogged about it too:
“Much to my dismay, the characters on the show spewed gross generalizations about the living and dating habits of unmarried Jewish women. And the stereotyping didn’t stop there. In the latest episode, the characters get together for a Shabbat dinner, an important tradition in the Jewish faith and culture. As a Jew, I can say with confidence that this dinner was exactly the opposite of what the sacred Sabbath dinner is supposed to be. But for those watching unfamiliar with the holy meaning of the Jewish Sabbath, it is shown in the worst way possible, with excessive drinking and fighting.”
Thank you, Steve. Because I found the response of Emily Shire, on The Forward’s Sisterhood blog more than a little offensive. Maybe because she says she’s familiar with the types of girls portrayed on the show from her own Long Island youth, she’s now desensitized to their behavior. But I can’t really accept her passivity on the subject: “I wish I could rally more ire for this show and be more outraged, but I can only shrug and watch with the same curiosity I approach other reality shows.”
While I can understand Shire does not find the show shocking, she has to imagine the repercussions it has on viewers with less familiarity with this small, not-at-all representative group of Jewish Long Islanders. Shire admits that she worries that people will think of the cast as models of Jewish women, but then she refers to Jersey Shore and says: “Even when I thought little of the cast, I never thought of it as an overall reflection of Italian-Americans, and anyone who thought six twenty-somethings on MTV spoke for an entire ethnic group was probably already going to be unfairly judgmental and somewhat racist.”
Does that make it OK?
What Shire is missing is the large population of our country (never mind the population of viewers in other countries who have access to the show) who know nothing about Judaism. Whether the viewer is judgmental or not, this is not the first glimpse of my religion I want them to see.
Imagine if you are a Jew dating someone who is not Jewish, who perhaps knows very little about your religion. I for one would feel embarrassed if he or his parents watched this show. And while you have probably introduced your wife who is not Jewish to your culture, does it help you to welcome her into your faith when the stereotype that stands out about Jewish women is that they’re spoiled, ignorant gold-diggers?
To give you a taste, in the very first episode, one cast member asks to be carried to her car after a mani/pedi (by someone who works at the shop) because she refuses to walk in shoes without heels.
Of course the other side of the argument is that all of this buzz we’re creating around the show is only bringing it attention, and probably more viewers. Joe Winkler suggests on JTA that “Maybe, instead of taking up arms in boycott, we could do a lot more by just looking the other way and waiting for them to shrivel into obscurity.” And while that might be true, I’m with Israel, who says:
“I will not silently tolerate a show that paints Jewish women on Long Island with all-too-familiar and painful stereotypes—money-hungry, superficial, Jewish-American Princesses.”
Because I want Bravo to think again before airing another season of this show, or producing any other show that promotes such a negative stereotype of any religion or ethnicity.
I’m curious what other people think? Did you watch the show? If you are less familiar with Judaism, what did you think of how the cast portrayed the religion?
This is a guest post by Jeremy Burton, executive director of Boston’s JCRC. After seeing his tweets about an undead, supernatural interfaith wedding on TV, I challenged him to blog about it. Luckily, he accepted. You can also follow him on twitter, @burtonjm.
After a tumultuous relationship, this week we witnessed one of the most unusual interfaith Jewish marriages, between two Boston werewolves on SyFy’s Being Human. This seems as good a time as any to reflect back on a three-season journey of identity and the story of one of TV’s more proudly Jewish character’s search for happiness (warning: spoiler alerts).Josh Levison began this series (a knockoff of a BBC original of the same title) as a recently turned werewolf who distances himself from his family amidst his struggle to reconcile his new reality with his former life. Filled with loathing over whether he deserves happiness or will only bring harm to those he loves, he has found friendship with a colonial era vampire, Aidan. Together they commit to help each other explore their lingering humanity. They make their home in Boston and Josh works as an orderly at a local hospital (Aidan is a nurse, which allows for easy access to an abundant blood supply).
Much to their surprise, the home they rent happens to have a newbie ghost in residence, Sally, a recently murdered bride-to-be of South Asian descent. Their home comes to serve as a kind of supernatural Moishe House with them as the facilitating in-residence guides to various visiting undead creatures: newbies learning to “live” with their conditions, old-timers engaging in long debates about evolving ethical challenges of traditional occult ways in a modern world (the ethics of live blood donors v. blood banks; are possessions acceptable and under what circumstances?), all while challenging each other to strive for more effort toward achieving an aspirational “normal” life.
Josh’s journey is played out in several relationships, including his on-again off-again rapprochement with his lesbian sister, and his relationship with Nora a doctor at the hospital. One constant throughout the series is that even as Josh struggles with honest relationships with himself and his loved ones, he is deeply connected to his Jewish identity, carefully protecting his Star of David necklace from damage every month before he turns. Plus there’s the occasional Jewish joke, usually in the kitchen.
Nora and Josh deal with pregnancy, miscarriage, breakups, and along the way the accidental turning of Nora who is now a werewolf too. As the relationship deepens, Josh persuades her to take him to meet her family. Nora’s greatest anxiety about this event is made evident when, to his astonishment, she hides his necklace under his clothing so that they don’t discover his Jewish identity. This concern for their judgment is made moot when it becomes clear there was abuse in Nora’s childhood and Josh determines to protect her from an environment that is still not a healthy space for her.
Somewhere along the line these four undead youth find a new family in each other, one filled with love, trust, and unimaginable acts of compassion for each other (when Sally is brought back to corporeal form as a Zombie, Aidan allows her to eat his healing flesh rather than leave her to chow down on humans).
After prolonged second guessing, Josh and Nora become engaged in truly romantic fashion. Initially wanting a well-planned wedding, they move up the date so as to marry before Sally dies a second time (hard to explain but trust me on this). Nora reaches out to Josh’s sister, Emily, who despite their difficulties plans his bachelor party at which, in a moment of life saving urgency, Josh and Aidan are outed as these magical creatures. Josh pleads with Nora for understanding, begging for the kind of acceptance he gave her when she came out, prompting her memorable line: “You’re comparing being a murderer to being gay?”
But when the wedding day arrives, Emily returns, determined to accept and embrace her brother for the totality of his identity, and also to ensure the wedding goes on as planned despite the minor distraction of a battle to the death with an oddly yiddishist survivor of the Andover, MA witch trials; because after all Emily rode the Boston T (subway) for 45 minutes to get to this wedding and how dare they postpone now?
And so we find ourselves in the living room, with a chuppah built by a very WASPy vampire (he was a Minuteman in the Revolution) who got himself an internet ordination for the ceremony, a ghost as maid-of-honor, and this interfaith werewolf couple saying their vows before select human friends and family. As Aidan and Josh appreciate this very normal moment they also recognize the completely unusual circumstances.
In the end (so far), Josh’s journey wasn’t about becoming human again (he tried that and failed). His was a search for his true family — alive and undead — who know his authentic self. In that moment, a wolf under a chuppah, surrounded by love, he is what we all aspire to be, unconditionally true to all aspects of himself and his choices and fully embraced for it by those who count.
What’s that? You haven’t heard of them? What if I use their aliases, Batwoman and Captain Sawyer?
In the DC Comic universe, Batwoman is Jewish. Towleroad reports:
There may not be a guarantee, but if they do get to the chuppah, our free Jewish Clergy Referral service could help them find a rabbi or cantor to officiate the wedding. Well, maybe… We’ll need to find some fictional, 2 dimensional rabbis to add to the list!
Thanks to Bleeding Cool for the image.
Last week the episode “Shabbat Shalom” aired. Of course I was intrigued when I saw the title in my DVR. I assumed it had something to do with Ziva, why else the Hebrew title? As I watched the episode I learned that Ziva’s father, the head of Mossad, came to the U.S. to see her and to broker a peace agreement with his Iranian counterpart.
Little did I know that the episode was a cliffhanger. But this week on Tuesday night I was taking the red-eye to Boston to meet my InterfaithFamily coworkers in-person for the first time; I wasn’t able to watch the episode. As I was gathering my suitcase and heavy jacket, expecting it to be colder in Boston than it was in San Francisco, my best friend called me. She was also travelling for work this week and watched NCIS from her Maryland hotel room.
“What does Tony say to Ziva at the end of the episode?” she asked. I didn’t know, it wasn’t even going to air in California for another three hours. I was headed to the airport and wouldn’t be able to watch until Friday. She couldn’t wait until Friday for the answer; so, as any good friend would do, I googled it. “What does Tony say to Ziva at the end of NCIS?” Since the episode had just ended, there wasn’t much about it online yet. Apparently there was some buzz a few years ago when Tony said something to Ziva in Spanish. But that wasn’t what I was looking for.
I added “2013” and “Shiva” (the title of this episode) to my search. IMDB wasn’t up-to-date yet so I had to rely on Yahoo answers where I found the question: “At the end of the newest NCIS episode tonight, what did Tony say to Ziva before she left? I think it was in Hebrew, but I didn’t catch it.”
Great! Someone must have posted the answer… the first two entries: “I love you” and “Ani ohev otach, I love you.” As much as I (and apparently others) want Tony and Ziva to get together, that didn’t seem right to me. I hadn’t seen the episode but I knew what happened last week and I was pretty confident it wasn’t time for Tony’s declaration of love for Ziva.
I kept reading the yahoo answers. “You are not alone.” Ok, that made more sense. The fifth post read: “he said ‘aht lo leh vahd‘ a translation thing on the internet said it means ‘you are not alone.'” I love that we can use the internet to translate Hebrew on mainstream TV in the U.S., and post the answer for others! I called my friend back and reported the two options. Having seen the episode she also ruled out “I love you.”
So this morning, finally back at home I watched the episode waiting (and waiting) for Tony’s line. He does say “aht lo leh vahd” which does mean “you are not alone.” What does it mean for the relationship between Tony and Ziva? All we can do is continue watching NCIS and see; I look forward to them being the next intermarried couple on TV.
According to People, Mayyim Bialik credits her rootedness in Judaism:
As many of you know, all the best Christmas songs were written by Jews. But what about Hanukkah songs? Many of us might be able to hum a few bars of Adam Sandler’s parody or “I Had a Little Dreidel,” but surely there must be more, right?
The Idelsohn Society for Musical Preservation (I hadn’t heard of them either), has just announced the release of an album that will highlight both Christmas and Hanukkah music, but with a twist: it’s bringing listeners through the holidays’ dueling history.
I just listened to Dreidel, and was super impressed to find a Hanukkah tune that I hadn’t previously known.
The two disc album, ‘Twas the Night Before Hanukkah: The Musical Battle Between Christmas and the Festival of Lights, comes out November 15, and might be a fun way to lighten the December dilemma in our homes.
With a big thanks to our friend David at JewishBoston.com.
Who else is watching The New Normal on Tuesday nights (or whenever you get to it on your DVRs)? The show follows a gay couple who will soon become fathers, the single mother who is their surrogate, and her young daughter. There are other characters thrown in for color and tension, but they’re the heart of the show.
The gay couple is also interfaith. In the first few episodes, we’ve learned that Bryan (played by Andrew Rannells, best known as Tony-nominated Elder Price from Broadway’s The Book of Mormon) is a Christian, and likely lapsed. Last week, we found out that he was raised Catholic and was rather devout — an altar boy and all. From the pilot, it’s been clear that Bryan’s partner David (Justin Bartha, Dark Horse, Holy Rollers, The Hangover II) is a nice, Jewish doctor. And not practicing (religion; he is a practicing gynecologist). Though he is stereotypically close with his mother…
In last week’s episode, David and Bryan were introduced to the concept of Godparents. As neither currently have spiritual lives themselves, they decided their child ought to have someone to turn to with spiritual questions. The hunt began. (Spoiler alert!) By the end of the episode, Bryan had gone to church, talked with a priest, and had encouraged David to go back to synagogue. We also learned that David had not been to temple since he had moved to New York as an undergrad. Feeling alone his freshman year, he took comfort going to temple, surrounded by the familiar rituals and tunes, until he got his bearings in the city. But once he got into med school, he no longer had time for prayer, “except praying I didn’t kill someone.” He hadn’t been back since.
David and Bryan aren’t so unique. Many interfaith couples (heck, many in-married couples too) let religion fall by the side until children come into the picture. At that point, future or new parents might start questioning, like these characters have, how they’ll teach their kids to be ethical and have a greater belief. Others return to religion because they remember happy memories (holidays, food, songs, family and friends coming together for celebrations) and want their children to have them too. Whatever the reason, it’s helpful to discuss how this might look for you and your (future, hypothetical) family before kids appear on the scene. Bryan and David have started this conversation somewhere in the 2nd trimester of surrogate Goldie’s pregnancy. Not bad. (Goldie is played by Georgia King — known mostly for her work in the U.K.) If you’re looking for ideas on how to start conversations, click on the Learning menu at the top of our site and pick a topic that interests you. Happy reading!
Mazal tov to Drew Barrymore and Will Kopelman! They’ve made their wedding date (June 2) public.
E! Online suggests the rushed wedding date is because she’s pregnant (they refer to the upcoming wedding as “bumptastic”), but I have a different theory.
Traditionally, the time between Passover and Shavuot is a period of semi-mourning. The period is known as the Omer. But what’s an “Omer”? It was a unit of measurement used for counting barley sheaves brought as an offering to the Temple in ancient Israel. The 49 days from Passover to Shavuot were each marked with a sacrifice of barley; today we count the days (“counting the Omer”) instead.
The rabbis of the 2nd century saw the period of counting the Omer as a “semi-mourning” period. As a result, some Jews refrain from having weddings or parties, dancing, listening to music or getting haircuts — all of which are customarily avoided during shiva (first week of mourning) — during the Omer.
There’s one escape from these restrictions: a minor holiday called Lag BaOmer (or “Lag b’Omer”) that falls on May 10 this year, 33 days after the start of Passover. The name literally translates to “33rd (day) of the Omer.” On Lag BaOmer, the restrictions are lifted for the day. (Check out how one Californian handles the restrictions in this humorous video.)
But back to Drew and Will.
E! Online reports that the wedding will be small and intimate, taking place at Drew’s home (er, “estate”). And, “keeping in line with the traditional values of Kopelman’s close-knit family, his family rabbi is expected to conduct the service.”
Since we’re currently counting the Omer, and since Will’s family (and, presumably, rabbi) are “traditional,” maybe they’re not wanting to be married during the Omer. Which would mean the first chance to be wed would be May 10, a Thursday. Most Americans choose to marry on the weekend so that family and friends can travel to and from the event. Not so easy to do in the middle of the work week. So the next option would be waiting until a weekend after Shavuot. Shavuot starts the evening of May 26 and ends the night of May 27 (for some communities, including many Reform congregations) or the night of May 28 (for the rest of the Jewish communities). The next weekend after that? Yup, June 2.
You heard it here first: Drew Barrymore and her fiancé, Will Kopelman, are following the laws of the Omer.
We’re occasionally contacted by folks in the entertainment world. Seems we’re not the only ones obsessed with interfaith families, joys and struggles and all.
Do you have a big decision to make? A new network television show is looking to feature individuals in interfaith relationships who are facing tough decisions in their lives. Couples can be anywhere in the USA; if selected shooting would require five days. The casting director wrote,
As our criteria for “big decisions” is open, we invite all individuals facing a big decision to send us details of their situation — what they may consider “not important enough” may end up being perfect for our show.
“If you are going through one of the above situations or something similar,” he continues, “[firstname.lastname@example.org]contact us today[/email]!” Make sure to include your full name; city and state; contact information; several clear, recent photos of yourself; and details of the tough decision you are currently facing.
There wasn’t an interfaith angle there for us (that would have been too easy!). But instead, Oprah mentioned, in her video interview with a member of Chabad, the mezuzahs she saw on doorposts.
In speaking to the community’s sense of “reverence” and “faith in God,” she said,
“The power of God in your life… the sense of honoring that with the – what is it, the word that starts with an M, when you come in-?”
The Chabad rabbi offers the word for her, “Mezuzah.” She continued,
“Mezuzah. When you come in the door. The sense of reverence for acknowledging that there is something, not just something but the power of God, that is greater than yourself, that we’re all here in service of that, is what I think has endured [in Jewish communities over the ages].”
That’s certainly one reason that some may put a mezuzah on their home’s doors. But she continues, making me think that she could enjoy any number of our mezuzah resources, like our booklet (Mezuzahs: what’s on the door) or video on how to put up a mezuzah.
“In the [family’s] home, they had a mezuzah in their doorway. And I love the very idea of a reminder every time you walk into the space, walk through the doorway, you touch it and are reminded that this isn’t just my home, it belongs to God. One of the things I’m always trying to do is to get people to look inward and to discover the path for themselves that they need….”
Oprah, if you think your path needs a mezuzah as a reminder of a greater good, of God, of sacred space, I’d be happy to show you how to affix one to your home’s doors. Call me anytime.