Natalie Portman's Directorial Debut & Paper Towns' Nat WolffBy Gerri Miller
See how Portman is making her big splash in Israel and don't miss Paper Towns with Nat WolffGo To Pop Culture
At least once a week, we will be tweeting about something from their encyclopedia that we find interesting. I’m trying to keep the content relevant to the scope of InterfaithFamily.com.
So, for the first entry…
In the last three decades of the twentieth century, scores of film and video makers gave voice to enduring Jewish themes of historic oppression, resistance, immigration and exile. Some independent feature films have reached much broader audiences, especially when they situate specifically Jewish characters in romantic and/or comedic stories. But what may characterize independent Jewish cinema most, including those works made by Jewish women, is its lack of unifying discourse. While the major signifiers of Jewish life in the post-World War II era continue to be Judaism as religion, the Holocaust, and Israel, independent American Jewish cinema seems to subvert that triumvirate with images of hybrid identities, interfaith romance, oppositional politics, and jump-cut collective memories.
I enjoy that the entry on “Filmmakers, Independent North American” points out that there isn’t just one way to do/be Jewish in Jewish films. And that one of the variances among our communities, that’s reflected on the screen, is that interfaith relationships can be a norm.
Have you seen a film that reflected your interfaith relationship? Your interfaith family?
To follow other people and organizations tweeting about this, follow the hashtag #jwapedia.
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