Drew Barrymore Makes You Want to Call Your Best FriendBy Gerri Miller
Drew Barrymore makes you want to call your best friend, Bridget Moynahan gets hitched & Peter Berg has a new documentary.Go To Pop Culture
The following is a guest blog post by Rabbi Evan Moffic, who is not a member of our staff but his wife, Rabbi Ari Moffic (Director of IFF/Chicago) is!
Win a copy of Rabbi Evan Moffic’s new book, What Every Christian Needs to Know About Passover!
Nothing brings people together like food. It is no accident, then, that among the most popular holiday for interfaith families is Passover. It is not only popular because it features prodigious amounts of food. It is popular—and meaningful—because of the spiritual message it conveys. This message matters for Christians and Jews. And it’s a message that can bring interfaith families closer together.
I believe so powerfully in this message that I wrote a book about it this year. The book was published by Abington Press, and it has spent several weeks as the top-selling book on Jewish holidays. Clearly, the Passover message resonates. Here’s why.
1. We are all searching for freedom: On Passover we recall the way God led the Israelites from slavery to freedom. We see the tools God gave them to rediscover that freedom in every generation by asking questions, praying, celebrating and retelling the story. As we do so, we shed light on the journey of our own lives. We ask ourselves where and how we might be enslaved. Are we enslaved to our possessions, our work, our addictions, our desire to please others?
2. We can all learn from one another: I passionately believe that religious and spiritual people can learn from traditions different from our own—perhaps especially from those traditions that are our next-door neighbor traditions, which is how I think of Judaism and Christianity. As a rabbi, I have found great inspiration in the description of love from Paul’s letter to the Corinthians. My own prayer life has been transformed by what I have learned from pastors and Christian writers. Quite often, I learn more about my own faith when I encounter it with new questions and concerns prompted by those who do not share it.
I believe the same growth can happen for Christians interested in deepening their own faith. Passover in particular holds spiritual invitations that can speak powerfully to Christians. Passover was observed by Jesus. It is a holiday centered around family, food and freedom. It is accessible and relevant to Christians of all denominations.
3. We can see ourselves in the story: In a recent class I asked members of my synagogue what the Exodus story meant to them. Did it affect their self- understanding? Could they see themselves in the story? All of them said yes. They frequently connected the Exodus with their family history. Many had grandparents and great-grandparents who emigrated from Europe to the United States. They fled poverty and persecution to build a better in life here. America was their Promised Land. Europe was their Egypt.
More recent Jewish immigrants echoed this message. Between 1967 and 1991, almost half of the entire Jewish population of the Soviet Union left for freedom to Israel, America and other Western countries. They saw their journey as an exodus from oppression to freedom.
In churches where I have led Passover seders, I’ve asked the same question. Some draw on their family history. More often, however, participants saw the Exodus in the context of their spiritual journeys. A participant who became a Christian later in life saw crossing the Red Sea as a symbol for baptism. He had fled the oppression of his past life for freedom as a believer and follower of Jesus. Some women saw the Exodus story as a paradigm for gaining freedom from the past and strengthening their role in the Church.
Regardless of who we are, Passover reminds us we can gain our freedom. We can become the person we are meant to be.
Evan Moffic is the Rabbi of Congregation Solel in Highland Park, IL, a community of 500 families on the North Shore of Chicago. He graduated from Stanford University in 2000 and was ordained by Hebrew Union College in 2006. He appears regularly on CNN and Fox News and writes for the Huffington Post, Beliefnet and his blog at www.rabbi.me. His first book, Words of Wisdom: From the Torah to Today, is a spiritual introduction to Judaism. His second book, What Every Christian Needs to Know About Passover, makes Passover come alive today for people of all faiths.
If you haven’t read Anita Diamant’s bestselling novel, The Red Tent, here is some extra incentive. Lifetime is launching what they call an “epic movie event” on December 7, starring Rebecca Ferguson, Minnie Driver, Morena Baccarin and Debra Winger based on the book. Even if it doesn’t go on your summer reading list, here are five fun facts that will make watching it even more fun. Did you know that:
1) The book was a sleeper until Diamant got the idea to send doomed-to-be-shredded copies of the novel to rabbis who then used it in their teachings and made it a worldwide phenomenon?
2) Diamant used the first chapters of the book of Genesis as a launching pad for her creativity, based in the silence of the character of Dina who is said to have been raped in Genesis, Ch. 34?
3) Goddess worship in the novel is based in scholarship of the biblical period? In fact, even the Torah itself tells us of the matriarch, Rachel, taking off with the household idols.
4) The Red Tent purposely gets the birth order of the tribes wrong? The author plays throughout the novel with the ideas of storytelling and authorship, maintaining that women were absent from the construction of the Torah and, therefore, left out of the telling of our history.
5) Countless midwifery communities have named themselves, The Red Tent, after the novel?
And now a bit of explanation.
The Rent Tent was published in 1997 with limited success, and within a few years went from being unheard of to a bestseller. What turned it into a book group phenomenon? Anita Diamant was well-known long before the novel for those of us who help people create Jewish life-cycle rituals. She wrote several how-to Jewish books that are the first ones I recommend when someone is planning a Jewish wedding, baby naming or thinking about conversion (The New Jewish Wedding Book, The New Jewish Baby Book). But then Diamant wrote her first novel, The Red Tent, an imaginative telling of the life of the matriarchs in the book of Genesis. When the book wasn’t finding great success, the author got an idea. She sent copies of the book to Reform and Reconstructionist rabbis, many of whom knew her earlier work well, and later to women ministers and independent booksellers. Leaders found that the book opened up a much needed conversation about women in our texts and historical silence. Before long, no book group was without its Red Tent month. It became a bestseller.
You don’t have to know the story of Genesis to appreciate the book. But many readers have found that they want to crack open a Torah for the first time in eons to distinguish what is actually written in the Torah about the matriarchs of Genesis and what is Diamant’s creative retelling. She jumps off from the Genesis stories, only using them as a frame. But even the pieces she fabricated are largely based in research. Not only did she include details that come from traditional Jewish sources like the Midrash (see below), she based much of her story in research about the lives of women in the biblical period. She studied daily life in the region at that time, including ancient goddess worship, birthing rituals and midwifery, medicine and funeral practices.
The worship of gods and goddesses, for example, is rampant in her story which reflects what scholars know about near Eastern practice and is hinted at in the book of Genesis and the prophetic writings of the Torah. The matriarch, Sarah, is referred to as a priestess in The Red Tent, another gleaning from early feminist biblical scholarship. She gives names to women who are left unnamed in the Torah. She imagines that Dinah was following a tradition of being a midwife when the events of Genesis 34 unfold.
She once said of her novel, “Dinah is one of the silent women of the Bible. Her silence intrigued me…gave me a window. Where there was silence, I created three-hundred pages.” [Cynthia Dettelbach, “Entering The Red Tent With Anita Diamant.” The Cleveland Jewish News 74, no. 2(1999): 4] In her version, women tell their own stories and, at times, are frustrated at hearing them mis-told by the men in the family. She goes as far as to insinuate that the “writers” of the biblical tales made mistakes because women’s voices were not involved in the construction or transmission of the Torah.
Within Jewish circles, there has been some controversy stirred by the novel about who is “allowed” to interpret and reinterpret Jewish texts. Diamant says she wrote a work of historical fiction, not midrash (a creative elaboration of the Torah, filling in the gaps in the Torah narratives), but still some argued that her work pretends to fit into that textual tradition dating back to the Rabbis of the 2nd-6th centuries BCE. Her response to one such opponent was that, “It is my birthright. My audacity is the Jewish approach to Scripture…Every word of Torah has seven hundred faces of God and six hundred meanings. There is no one correct interpretation of Scripture as Jews have made up stories…for centuries”. [Joan Gross, “Jacob’s Daughter Hits the Bigtime in 2001.” The Jewish News Weekly of Northern California 105, no. 13 (2001): 40.]