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Since the new Bravo reality show Princesses: Long Island began a few weeks ago, many blogs have popped up in the Jewish and secular media berating the show and the network for its portrayal of Long Island Jewish women. The bloggers’ responses range from horror to amused disgust to acceptance. JTA has a whole guide to blogs about the show.
If you haven’t seen the show, it’s about six twenty-something Jewish Long Islanders who live with their parents, agonize over finding a husband to take care of them, and for the most part, do not work. They seem to have been encouraged to make Judaism a big part of the show, as they are constantly touting how Jewish their lifestyle is and making a scene over drinking Manischewitz and eating Shabbat dinner.
This all might sound harmless and hardly cause for alarm, if it weren’t for the fact that the women on the show are so horribly over the top in their dependency on their parents, men and money. More than that, they actively promote stereotypes about Judaism, and explicitly say that their lifestyle is typically “Jewish” and “Long Island,” when there’s nothing typical about anything they say or do.
When one cast member says that she’s a Reform Jew, which means “We’re not that Jewish,” what is someone who doesn’t know the difference supposed to think?
You may ask, if there’s so much already out there about this nonsense, why bother adding to the mix? Because I learned this lesson well: When something is happening that is damaging to Jews, or any ethnic/religious group, I have a responsibility to speak out. Am I being melodramatic? I don’t think New York Congressman Steve Israel (who represents the part of Long Island where the show is filmed) would think so. Yup, he’s blogged about it too:
“Much to my dismay, the characters on the show spewed gross generalizations about the living and dating habits of unmarried Jewish women. And the stereotyping didn’t stop there. In the latest episode, the characters get together for a Shabbat dinner, an important tradition in the Jewish faith and culture. As a Jew, I can say with confidence that this dinner was exactly the opposite of what the sacred Sabbath dinner is supposed to be. But for those watching unfamiliar with the holy meaning of the Jewish Sabbath, it is shown in the worst way possible, with excessive drinking and fighting.”
Thank you, Steve. Because I found the response of Emily Shire, on The Forward’s Sisterhood blog more than a little offensive. Maybe because she says she’s familiar with the types of girls portrayed on the show from her own Long Island youth, she’s now desensitized to their behavior. But I can’t really accept her passivity on the subject: “I wish I could rally more ire for this show and be more outraged, but I can only shrug and watch with the same curiosity I approach other reality shows.”
While I can understand Shire does not find the show shocking, she has to imagine the repercussions it has on viewers with less familiarity with this small, not-at-all representative group of Jewish Long Islanders. Shire admits that she worries that people will think of the cast as models of Jewish women, but then she refers to Jersey Shore and says: “Even when I thought little of the cast, I never thought of it as an overall reflection of Italian-Americans, and anyone who thought six twenty-somethings on MTV spoke for an entire ethnic group was probably already going to be unfairly judgmental and somewhat racist.”
Does that make it OK?
What Shire is missing is the large population of our country (never mind the population of viewers in other countries who have access to the show) who know nothing about Judaism. Whether the viewer is judgmental or not, this is not the first glimpse of my religion I want them to see.
Imagine if you are a Jew dating someone who is not Jewish, who perhaps knows very little about your religion. I for one would feel embarrassed if he or his parents watched this show. And while you have probably introduced your wife who is not Jewish to your culture, does it help you to welcome her into your faith when the stereotype that stands out about Jewish women is that they’re spoiled, ignorant gold-diggers?
To give you a taste, in the very first episode, one cast member asks to be carried to her car after a mani/pedi (by someone who works at the shop) because she refuses to walk in shoes without heels.
Of course the other side of the argument is that all of this buzz we’re creating around the show is only bringing it attention, and probably more viewers. Joe Winkler suggests on JTA that “Maybe, instead of taking up arms in boycott, we could do a lot more by just looking the other way and waiting for them to shrivel into obscurity.” And while that might be true, I’m with Israel, who says:
“I will not silently tolerate a show that paints Jewish women on Long Island with all-too-familiar and painful stereotypes—money-hungry, superficial, Jewish-American Princesses.”
Because I want Bravo to think again before airing another season of this show, or producing any other show that promotes such a negative stereotype of any religion or ethnicity.
I’m curious what other people think? Did you watch the show? If you are less familiar with Judaism, what did you think of how the cast portrayed the religion?
This is a guest post by Jeremy Burton, executive director of Boston’s JCRC. After seeing his tweets about an undead, supernatural interfaith wedding on TV, I challenged him to blog about it. Luckily, he accepted. You can also follow him on twitter, @burtonjm.
After a tumultuous relationship, this week we witnessed one of the most unusual interfaith Jewish marriages, between two Boston werewolves on SyFy’s Being Human. This seems as good a time as any to reflect back on a three-season journey of identity and the story of one of TV’s more proudly Jewish character’s search for happiness (warning: spoiler alerts).
photo via Entertainment Weekly (image credit: BBC America)
Josh Levison began this series (a knockoff of a BBC original of the same title) as a recently turned werewolf who distances himself from his family amidst his struggle to reconcile his new reality with his former life. Filled with loathing over whether he deserves happiness or will only bring harm to those he loves, he has found friendship with a colonial era vampire, Aidan. Together they commit to help each other explore their lingering humanity. They make their home in Boston and Josh works as an orderly at a local hospital (Aidan is a nurse, which allows for easy access to an abundant blood supply).
Much to their surprise, the home they rent happens to have a newbie ghost in residence, Sally, a recently murdered bride-to-be of South Asian descent. Their home comes to serve as a kind of supernatural Moishe House with them as the facilitating in-residence guides to various visiting undead creatures: newbies learning to “live” with their conditions, old-timers engaging in long debates about evolving ethical challenges of traditional occult ways in a modern world (the ethics of live blood donors v. blood banks; are possessions acceptable and under what circumstances?), all while challenging each other to strive for more effort toward achieving an aspirational “normal” life.
Josh’s journey is played out in several relationships, including his on-again off-again rapprochement with his lesbian sister, and his relationship with Nora a doctor at the hospital. One constant throughout the series is that even as Josh struggles with honest relationships with himself and his loved ones, he is deeply connected to his Jewish identity, carefully protecting his Star of David necklace from damage every month before he turns. Plus there’s the occasional Jewish joke, usually in the kitchen.
Nora and Josh deal with pregnancy, miscarriage, breakups, and along the way the accidental turning of Nora who is now a werewolf too. As the relationship deepens, Josh persuades her to take him to meet her family. Nora’s greatest anxiety about this event is made evident when, to his astonishment, she hides his necklace under his clothing so that they don’t discover his Jewish identity. This concern for their judgment is made moot when it becomes clear there was abuse in Nora’s childhood and Josh determines to protect her from an environment that is still not a healthy space for her.
Somewhere along the line these four undead youth find a new family in each other, one filled with love, trust, and unimaginable acts of compassion for each other (when Sally is brought back to corporeal form as a Zombie, Aidan allows her to eat his healing flesh rather than leave her to chow down on humans).
After prolonged second guessing, Josh and Nora become engaged in truly romantic fashion. Initially wanting a well-planned wedding, they move up the date so as to marry before Sally dies a second time (hard to explain but trust me on this). Nora reaches out to Josh’s sister, Emily, who despite their difficulties plans his bachelor party at which, in a moment of life saving urgency, Josh and Aidan are outed as these magical creatures. Josh pleads with Nora for understanding, begging for the kind of acceptance he gave her when she came out, prompting her memorable line: “You’re comparing being a murderer to being gay?”
But when the wedding day arrives, Emily returns, determined to accept and embrace her brother for the totality of his identity, and also to ensure the wedding goes on as planned despite the minor distraction of a battle to the death with an oddly yiddishist survivor of the Andover, MA witch trials; because after all Emily rode the Boston T (subway) for 45 minutes to get to this wedding and how dare they postpone now?
And so we find ourselves in the living room, with a chuppah built by a very WASPy vampire (he was a Minuteman in the Revolution) who got himself an internet ordination for the ceremony, a ghost as maid-of-honor, and this interfaith werewolf couple saying their vows before select human friends and family. As Aidan and Josh appreciate this very normal moment they also recognize the completely unusual circumstances.
In the end (so far), Josh’s journey wasn’t about becoming human again (he tried that and failed). His was a search for his true family — alive and undead — who know his authentic self. In that moment, a wolf under a chuppah, surrounded by love, he is what we all aspire to be, unconditionally true to all aspects of himself and his choices and fully embraced for it by those who count.
I enjoy watching NCIS (Naval Criminal Investigative Service), the CBS crime drama that airs Tuesday evenings. I appreciate the multi-culturalism on the show. Often I turn to my husband for a Spanish translation of a line here or there. I was excited when Cote de Pablo joined the cast in season three. She plays the Israeli former Mossad (Israel’s national intelligence agency) officer, Ziva David. For me, it is even more fun when they throw a little Hebrew into a show. I appreciate that they seem to “get it right” in both phrasing and accent.
Last week the episode “Shabbat Shalom” aired. Of course I was intrigued when I saw the title in my DVR. I assumed it had something to do with Ziva, why else the Hebrew title? As I watched the episode I learned that Ziva’s father, the head of Mossad, came to the U.S. to see her and to broker a peace agreement with his Iranian counterpart.
Little did I know that the episode was a cliffhanger. But this week on Tuesday night I was taking the red-eye to Boston to meet my InterfaithFamily coworkers in-person for the first time; I wasn’t able to watch the episode. As I was gathering my suitcase and heavy jacket, expecting it to be colder in Boston than it was in San Francisco, my best friend called me. She was also travelling for work this week and watched NCIS from her Maryland hotel room.
“What does Tony say to Ziva at the end of the episode?” she asked. I didn’t know, it wasn’t even going to air in California for another three hours. I was headed to the airport and wouldn’t be able to watch until Friday. She couldn’t wait until Friday for the answer; so, as any good friend would do, I googled it. “What does Tony say to Ziva at the end of NCIS?” Since the episode had just ended, there wasn’t much about it online yet. Apparently there was some buzz a few years ago when Tony said something to Ziva in Spanish. But that wasn’t what I was looking for.
NCIS: promo for "Shiva"
I added “2013″ and “Shiva” (the title of this episode) to my search. IMDB wasn’t up-to-date yet so I had to rely on Yahoo answers where I found the question: “At the end of the newest NCIS episode tonight, what did Tony say to Ziva before she left? I think it was in Hebrew, but I didn’t catch it.”
Great! Someone must have posted the answer… the first two entries: “I love you” and “Ani ohev otach, I love you.” As much as I (and apparently others) want Tony and Ziva to get together, that didn’t seem right to me. I hadn’t seen the episode but I knew what happened last week and I was pretty confident it wasn’t time for Tony’s declaration of love for Ziva.
I kept reading the yahoo answers. “You are not alone.” Ok, that made more sense. The fifth post read: “he said ‘aht lo leh vahd‘ a translation thing on the internet said it means ‘you are not alone.’” I love that we can use the internet to translate Hebrew on mainstream TV in the U.S., and post the answer for others! I called my friend back and reported the two options. Having seen the episode she also ruled out “I love you.”
So this morning, finally back at home I watched the episode waiting (and waiting) for Tony’s line. He does say “aht lo leh vahd” which does mean “you are not alone.” What does it mean for the relationship between Tony and Ziva? All we can do is continue watching NCIS and see; I look forward to them being the next intermarried couple on TV.
I’ve watched this video a few times and I’m still not sure how I feel about this.
Did you catch that? Trevor’s already turned 13, and they’ve decided to throw him a “bar mitzvah — a Christian bar mitzvah.”
Pastor Brian shows Trevor and Tara the tallit Trevor will wear at the bar mitzvah party.
Here’s what I’ve figured out from the video:
They’re having a bar mitzvah as a party, not as a religious life cycle event.
Mom’s Christian, dad has “Jewish heritage” (my sources tell me he was Jewish and converted to Christianity) and is a Christian pastor in Atlanta.
Mom’s “done her research” and believes a key part of the bar mitzvah is a Torah-shaped cake. Dad adds that it should be “Christ in the Torah” (to mark Christianity’s Jewish heritage, I think?).
Mom tells us a bar mitzvah marks the transition from being “a 13-year-old boy to a man,” but more accurately it’s marking going from a 12-year-old boy to a man.
Dad frames this as “more than a marker of time, it’s a social event.”
Neither parent is Jewish, but they believe their son will grow to be the “first Jewish, black president” of the USA.
As I said, I’m a bit confused by this.
And, with that confusion, I can’t decide what I think of a “Christian bar mitzvah.” The bar mitzvah traditionally marks a boy (or girl) taking status as an adult in the Jewish community. With that, they’re now able to perform commandments (mitzvot) reserved for adults, like being counted in a prayer quorum (10 adults needed to form a minyan for prayer services). The question posed on twitter was, “blatant misuse of Jewish ritual or can we choose to borrow from other faiths? If so, how?”
What do you think?
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