Natalie Portman's Directorial Debut & Paper Towns' Nat WolffBy Gerri Miller
See how Portman is making her big splash in Israel and don't miss Paper Towns with Nat WolffGo To Pop Culture
This is a guest post by Jeremy Burton, executive director of Boston’s JCRC. After seeing his tweets about an undead, supernatural interfaith wedding on TV, I challenged him to blog about it. Luckily, he accepted. You can also follow him on twitter, @burtonjm.
After a tumultuous relationship, this week we witnessed one of the most unusual interfaith Jewish marriages, between two Boston werewolves on SyFy’s Being Human. This seems as good a time as any to reflect back on a three-season journey of identity and the story of one of TV’s more proudly Jewish character’s search for happiness (warning: spoiler alerts).Josh Levison began this series (a knockoff of a BBC original of the same title) as a recently turned werewolf who distances himself from his family amidst his struggle to reconcile his new reality with his former life. Filled with loathing over whether he deserves happiness or will only bring harm to those he loves, he has found friendship with a colonial era vampire, Aidan. Together they commit to help each other explore their lingering humanity. They make their home in Boston and Josh works as an orderly at a local hospital (Aidan is a nurse, which allows for easy access to an abundant blood supply).
Much to their surprise, the home they rent happens to have a newbie ghost in residence, Sally, a recently murdered bride-to-be of South Asian descent. Their home comes to serve as a kind of supernatural Moishe House with them as the facilitating in-residence guides to various visiting undead creatures: newbies learning to “live” with their conditions, old-timers engaging in long debates about evolving ethical challenges of traditional occult ways in a modern world (the ethics of live blood donors v. blood banks; are possessions acceptable and under what circumstances?), all while challenging each other to strive for more effort toward achieving an aspirational “normal” life.
Josh’s journey is played out in several relationships, including his on-again off-again rapprochement with his lesbian sister, and his relationship with Nora a doctor at the hospital. One constant throughout the series is that even as Josh struggles with honest relationships with himself and his loved ones, he is deeply connected to his Jewish identity, carefully protecting his Star of David necklace from damage every month before he turns. Plus there’s the occasional Jewish joke, usually in the kitchen.
Nora and Josh deal with pregnancy, miscarriage, breakups, and along the way the accidental turning of Nora who is now a werewolf too. As the relationship deepens, Josh persuades her to take him to meet her family. Nora’s greatest anxiety about this event is made evident when, to his astonishment, she hides his necklace under his clothing so that they don’t discover his Jewish identity. This concern for their judgment is made moot when it becomes clear there was abuse in Nora’s childhood and Josh determines to protect her from an environment that is still not a healthy space for her.
Somewhere along the line these four undead youth find a new family in each other, one filled with love, trust, and unimaginable acts of compassion for each other (when Sally is brought back to corporeal form as a Zombie, Aidan allows her to eat his healing flesh rather than leave her to chow down on humans).
After prolonged second guessing, Josh and Nora become engaged in truly romantic fashion. Initially wanting a well-planned wedding, they move up the date so as to marry before Sally dies a second time (hard to explain but trust me on this). Nora reaches out to Josh’s sister, Emily, who despite their difficulties plans his bachelor party at which, in a moment of life saving urgency, Josh and Aidan are outed as these magical creatures. Josh pleads with Nora for understanding, begging for the kind of acceptance he gave her when she came out, prompting her memorable line: “You’re comparing being a murderer to being gay?”
But when the wedding day arrives, Emily returns, determined to accept and embrace her brother for the totality of his identity, and also to ensure the wedding goes on as planned despite the minor distraction of a battle to the death with an oddly yiddishist survivor of the Andover, MA witch trials; because after all Emily rode the Boston T (subway) for 45 minutes to get to this wedding and how dare they postpone now?
And so we find ourselves in the living room, with a chuppah built by a very WASPy vampire (he was a Minuteman in the Revolution) who got himself an internet ordination for the ceremony, a ghost as maid-of-honor, and this interfaith werewolf couple saying their vows before select human friends and family. As Aidan and Josh appreciate this very normal moment they also recognize the completely unusual circumstances.
In the end (so far), Josh’s journey wasn’t about becoming human again (he tried that and failed). His was a search for his true family — alive and undead — who know his authentic self. In that moment, a wolf under a chuppah, surrounded by love, he is what we all aspire to be, unconditionally true to all aspects of himself and his choices and fully embraced for it by those who count.