Zach Braff's movie, Michael Douglas & Diane KeatonBy Gerri Miller
New movies are coming out this month with several actors in interfaith marriages. Plus, the much anticipated Zach Braff film.Go To Pop Culture
This week we have the pleasure of reading a double portion of Torah — the last two sections of the book of Exodus/Sh’mot! About half has been dedicated to the detailed descriptions of how the Tent of Meeting, aka The Tabernacle, aka God’s Dwelling Place, is to be constructed. The G-dcast storyteller for Pekudei, the second portion read this week, tells us that this is mostly a repetition of what we already read earlier in the book of Exodus, and compares this to the attention you give to your first apartment, when you are newly in love and moving in together with your lover or spouse. He notes that the special relationship between the children of Israel and the God of Israel is like a marriage, one of the metaphors used by the early rabbis of the Talmud to describe the Israelites and God.
What do you think of comparing the relationship of a nation to its God, using such a human metaphor? How does this comparison work for you?The earlier parasha read this shabbat, Vayakhel, takes its name from the Hebrew word meaning “and he assembled” or gathered together. In this case, the “he” is God; we read that God gathered the whole people to tell them a few more things, like reminding them exactly what materials to use in building this Dwelling Place.
The G-dcast storyteller for Vayakhel sings a lovely tune about what each wise woman and wise man is to bring to construct God’s home. The way God instructs them is also lovely; in Exodus chapter 35 verse 5 we read: “take from among you gifts to the Lord; everyone whose heart so moves him shall bring them — gifts for the Lord…” It almost seems to be saying: I only want donations of materials that are brought with a full heart, willingly, and in joy. What a great way to ask for a donation!
Later in the same chapter, verse 29, we read the results of this request: “Thus, the Israelites, all the men and women whose hearts moved them to bring anything for the work that the Lord, through Moses, had commanded to be done, brought it as a freewill offering to the Lord.” It turns out that this “fundraising drive” was so utterly successful — with everyone bringing their gold and silver and jewelry — that the artisans in charge of the construction finally had to tell Moshe/Moses that no more gifts were needed, they had plenty of materials to work with (chapter 36 verses 4-7). When have you ever heard of a building project so amply endowed with gifts that the fundraisers called a halt to the voluntary contributions?!
One verse in Vayakhel has a special midrash/story attached, expanding upon the verse. Everything to be used in the Tent of Meeting is described in minute detail, from the curtains, to the loops that hold the curtains up, to the sculptural aspects of the golden lampstands. In chapter 38 verse 8 we find out that the special copper washing basin (laver) is to be built “from the mirrors of the women who served at the entrance of the Tent of Meeting.” Huh? The women have mirrors? They remembered to pack mirrors when they were leaving Egypt? OK, I guess we also need to suspend disbelief when reading about the lapis lazuli and dolphin skins, but let’s focus for a minute on these mirrors that are to be melted down to form the copper washing basins and stand.
First, we learn from Robert Alter that mirrors in the ancient world were made of polished bronze rather than glass, and were considered a luxury item in Egypt. He also reminds us that some of the medieval rabbis commented on this verse with the observation that here, the very objects that were used for the purposes of vanity are dedicated to the furnishing of the sacred worship place.
Now to the midrash from Tanhuma Pekudei:
The Israelite women used these mirrors both when they adorned themselves and when they were enticing their husbands to engage in intimate relations, but they didn’t hesitate to bring these mirrors as their contribution for furnishing the Tabernacle. Moshe wanted to reject them since he thought they were associated with vanity and things unholy. But God said to Moshe, “Accept these mirrors — they are dearer to Me than all the other contributions, because of the way the women used them when they were in Egypt. When their husbands were ready to give up eating, drinking, and having sex (because of the crushing labor), the wives would bring them food and drink and induce them to eat; then they would use the mirrors playfully, to awaken their husbands’ desires.” This resulted in many pregnancies and the perpetuation of the Israelite nation. The life-force was with the women — maybe that’s why God saw the greatness of those mirrors. They were used to induce love, sex, and appreciation between husbands and wives. And as a result, God wanted those mirrors to be somehow built into the Sanctuary where God planned to dwell among the Children of Israel.
For more on this midrash, see Rabbi Lauren Eichler Berkun’s commentary.
Our G-dcast storyteller this week correctly informs us that Parashat Terumah is all about the Israelites’ newest project: building a portable sanctuary (mishkan) for worshipping God, right there in the middle of the desert. God gives the instructions to Moshe/Moses, and then we, as readers, get the dozens of details as a kind of blueprint in what might be considered numbingly boring minutiae.
But we need to ask ourselves: what is the point of laying it all out so exactingly? And does God really care about gold, silver, lapis lazuli and dolphin cloth??? And if not, why would these specifications be made?
Our storyteller suggests that we need to zoom in and zoom out of these particulars in order to see the bigger picture.
There are a few verses that really call out to me in this parasha, starting with Exodus chapter 25 verse 2:
What an incredible thing to find here in the Torah, a book full of commandments for so many things. Here, we are told that gifts are only to be brought if one WANTS to participate, if one’s heart is so moved… Only then, should he or she bring a gift to help build the sanctuary. This is the first startling thing in this huge, complicated new construction project the former slaves are undertaking.
The second verse that is at the heart of Parashat Terumah is also from chapter 25, a few verses later in verse 8:
God is actually telling Moshe that God wants to be “among” the people (b’tocham — in their midst). Not above them, not in a special place rooted in a specific locality, but AMONG them, in this portable tent-like santuary that moves with the people as they wander in the desert. What kind of God wants to be AMONG the people? What is God’s need, if we could be so bold in asking?
The storyteller also uses several words for this building, this “sanctuary.” First we get the Hebrew name, Mishkan, which has the same root as shakhen/neighbor and shekhinah/feminine presence of the Divine. The portable building is also referred to as a tabernacle (which always makes me think of the Mormon Tabernacle Choir). Finally, it’s also called the Divine Dwelling Place.
Sanctuary implies a holy place, a sanctum, a place with sacred dimensions (mikdash/holy place). There is also the name Ohel Mo’ed /Tent of Meeting, referring to the function this place provides — it’s where Moshe encounters the Divine and receives instruction. These names seem like they might be interchangeable, but as we proceed through the book of Exodus and Leviticus and get more information on the Mishkan, we will see that each name implies a different function and/or is describing another part of the whole compound.
Still, think about what it could mean to have the Almighty say that S/He wants to “dwell among the Israelite nation.” Not only is this a profound gloss on the relationship between God and the people, it also suggests possibilities in the way we build our contemporary synagogues and places of worship right now, in the 21st century. Chancellor Arnold Eisen of the Jewish Theological Seminary of America writes about this in his column on Parashat Terumah.
To consider as you continue reading: