Zach Braff's movie, Michael Douglas & Diane KeatonBy Gerri Miller
New movies are coming out this month with several actors in interfaith marriages. Plus, the much anticipated Zach Braff film.Go To Pop Culture
For the past few weeks, the names of all the
This week we get to Miketz (After [two years]), and we land smack dab in the middle of the Yosef/Joseph novella. Today’s blog is a kind of re-cap of this irresistible story. When we left off, our hero was still languishing in the dungeon after the chief cupbearer was restored to Pharaoh’s service, having forgotten all about the interpreter of his dream (Yosef himself!).
If this were a TV show, across the bottom of the screen, you would see this: Two years later…
The story opens in Pharaoh’s court and we are told of a strange dream Pharaoh had in which seven “handsome and sturdy” cows appeared and then, right behind them, seven “ugly and gaunt” cows, who proceeded to eat the seven handsome, sturdy cows. Sounds just like a dream, huh? Then he dreamt a similar second dream. When he awoke in the morning and told his dreams to his wise men, none could interpret them (Genesis chapter 42 verses 1-8). Luckily, the chief cupbearer remembered that Hebrew kid in prison — the one who had correctly interpreted the dreams of his fellow inmates — and he told the Pharaoh about Yosef. So, Yosef was brought up to court, cleaned up and decked out nicely to meet the ruler who then proceeded to tell Yosef his dreams. Yosef offered the interpretation that there would be seven years of plentiful agricultural yields in Egypt, followed by seven years of severe famine. Yosef also recommended that a very wise person be appointed to collect the extra grain during the seven years of plenty and store it for the famine years. The Pharaoh was so impressed that he made Yosef a viceroy or vizier, elevating him to second in command of the country. Wow!! What a meteoric rise in status!
Yosef gets a new name, Zaphenath-Paneah, and he takes an Egyptian wife, Asenath, with whom he has two children. He is re-made in the image of a powerful, influential Egyptian vizier. Some say that Yosef provides us with a model of the first assimilated Israelite — he looks, acts, and talks just like the Egyptians in the court.
In fact, he is so assimilated that when brothers come down to Egypt to procure rations because of the famine back home in Cana’an, they don’t even recognize the bragging, arrogant teenage brother they sold into slavery so many years before. (An aside: we typically read this
Now the drama circles back to the family and we read of several encounters between Yosef and his brothers. Since Yosef recognizes the brothers, but they utterly fail to recognize him, he has a great opportunity to engineer some power-plays. He could act like a mensch — or not. Inside he is still an angry teenage twerp, but given his power-broker status he can either (wrongly) accuse the brothers of being spies or warmly welcome them. What do you think he does? He decides to hide his identity, and although it looks like it might be pay-back time, maybe he is just attempting to measure if and how the brothers have changed.. He imprisons his brothers — just like he was imprisoned because of what they did to him (chapter 42 verses 8-17).
After 3 days, Yosef gives them an ultimatum, using information that he presumably got from his interrogation of them, but that he really already knew. He instructs them to return home with rations, but they must return with their youngest brother (Benjamin); in the meantime, Yosef will keep another brother, Simeon, in prison, as a ransom. The brothers confer; they talk about selling him off so long ago. They conduct this conversation in front of Yosef, who, of course, understands every word, unbeknownst to them.
And so, heavy-hearted, the brothers return home, back to their old father, Yakov/Jacob, in Cana’an, only to find another horrible surprise: When each brother opens his sacks of grain, he sees the money that he thought he had paid for the rations. (Yosef had instructed his servants to replace the coins so it would appear as if the brothers stole the grain.) Oy Oy Oy!! Now what??? There is a trick turn behind every action in this parasha.
How will it all end? What other tricks does Yosef have up his elegant Egyptian sleeve? And what are all these shenanigans about? To see if the brothers have really repented from their dirty deeds? To enjoy a little sweet revenge? To show the brothers that his teenage dreams had come true after all? All of the above? Or none of it?
This parasha gives us insights into the way this family works or doesn’t….Old Yakov still thinks everything bad that happens in the world is always centered on him (Genesis chapter 42 verse 36). Yosef doesn’t look so great either — he keeps losing control as he manipulates his brothers (Genesis chapter 43 verses 30-34). He keeps breaking down in tears privately, but dealing deceitfully with his brothers in his public persona. It won’t be until next week that the brothers find out what we (the loyal readers) already know — that this great and powerful Egyptian vizier is none other than their brother, their father’s favorite son, Yosef.
Last week, the parasha (
Our opening scene sets the stage for what is actually a novella, the first in the Torah, the story of Yosef and his adventures. Andrew Lloyd Weber famously wrote a hit musical about some of our story that you may want to check out:
But we really don’t need a Broadway hit to let us know that this story has everything that makes a good novel or novella work: intrigue, plot twists, character development, changes in identity, dreams, lies, sibling rivalry, and more than a little a hint of sex.
In fact, just reading the text we see why the great German Jewish novelist of the early 20th century, Thomas Mann, produced a masterpiece of literature, Joseph and His Brothers, based not only on this story, but also incorporating the rabbinic midrashim (stories) that embellish the torah text. A new translation by John E. Woods is described as “a major literary event. Thomas Mann regarded his monumental retelling of the biblical story of Joseph as his magnum opus. He conceived of the four parts — The Stories of Jacob, Young Joseph, Joseph in Egypt, and Joseph the Provider — as a unified narrative, a ‘mythological novel’ of Joseph’s fall into slavery and his rise to be lord over Egypt. Deploying lavish, persuasive detail, Mann conjures for us the world of patriarchs and pharaohs, the ancient civilizations of Egypt, Mesopotamia, and Palestine, and the universal force of human love in all its beauty, desperation, absurdity, and pain. The result is a brilliant amalgam of humor, emotion, psychological insight, and epic grandeur.”
Embedded in the opening part of this novella, the biblical authors do something so crafty. They begin the story in Genesis chapter 37 and build it to a crescendo, leaving Yosef at the point of being sold to an Egyptian after a terrible ordeal, and poor old Yakov, back home, mourning for his favorite boy. We really want to know what happens next… kind of the way you feel when you watch an episode of Homeland and you are just dying to know what will happen to Carrie and Brody. However, chapter 38 is a total departure from the Yosef story; we detour to read a completely separate story about Yehuda (Judah), Yakov’s 4th son, borne by Leah. It is the tribe of Judah that gives the Children of Israel their eventual name, Yehudim (Jews), and it is from this tribe that both King David and Jesus are descended.
The entire detour story tells us that Judah (Yehuda) had 3 sons, and when his oldest, Er, came of age, Yehuda arranged a marriage between Er and Tamar. Unfortunately Er dies and Yehuda sees fit to have Tamar marry another son, Onan. The story devolves (you can read it in chapter 38 verses 8-11). After Onan dies, Tamar is left a widow, childless, and she hatches a plot to make sure she can remarry and have children. In her cleverness, she reminds us somewhat of Rivka/Rebecca, the great-grandmother of Tamar’s husbands. Neither of these women possesses any overt power in this patriarchal society.
In order that the right thing will be done, each woman resorts to subterfuge — each one uses a cover-up to get the right outcome. Two generations before, Rivka puts skins on the arms of the smooth twin (Yakov) to make him feel hairy, like his twin, Esav, when their blind old father touches him. Now Tamar dons a garment that makes her resemble a cultic prostitute; she waits at the crossroads to entice Yehuda into a one-night-stand that she hopes will make her pregnant. He doesn’t recognize her; she takes his seal, cord, and staff as a voucher (for a goat) that she can later redeem — he will send the goat to her with a friend (chapter 38 verses 17-20).
Later, the townspeople tell Yehuda that his daughter-in-law is pregnant; and since he knows that she hasn’t re-married, he tells everyone “Bring her out and let her be burned!” Tamar comes out, shows the seal, cord, and staff, and says “I am pregnant by the man who owns these.” Yehuda recognizes his things and realizes that he should have given Tamar his youngest son to marry (but didn’t), and says “This woman is more righteous than I — I should have given her my youngest son.” This couple is not intimate again, but later in Genesis, we will see how Yehuda develops. It is one of the twin babies, Perez, born of this coupling, who is the progenitor of the Davidic line, the line of the Messiah.
Finally we get back to the Yosef story in Chapter 39 and 40, and our parasha ends with Yosef interpreting dreams that are “spot-on.” Doesn’t this sound like a great novel, movie, or TV series???
When I sat down to write about Toldot, my husband said, “This is one of your favorite parshiot (plural of parasha – portion), isn’t it?” I laughed and said, “Yeah, it definitely ranks right up there with the best.” So, why do I like it so much?
Well, for starters, the family trauma-drama continues: We see what happens to our plucky heroine, Rebecca, after being married to Yitzhak/Isaac for 10 years, but still not blessed with children. Then she gets pregnant — with twins, no less!! She has a difficult pregnancy (having no clue that she is carrying twins). She is far from her own home, perhaps with no kinswomen to consult with, and decides to “inquire of the Lord” (Genesis 25: 22-23). The Lord tells her she is carrying the progenitors of two nations, given in the form of an oracular poem — terse and mysterious.
She gives birth to twins who look, and, later, behave, very differently. The eldest is called Esav (Esau) and the younger is called Ya’akov (Jacob). The descriptions of them in verses 25-28 tell us how different they are, but with no judgment. Many hundreds of years after the Bible was written, when the Jews were defeated, exiled, and subjugated by the Romans (in the first centuries of the common era), the rabbis of the Talmud did make judgments about Esav and Ya’akov and in fact, called Esav “wicked.” This week’s G-dcast narrator uses that midrashic interpretation. Check it out:
However, what I find the most illuminating in these verses is notT later interpretation but the actual Torah text as we have it right here. We read just a few words that provide remarkable insight into the family dynamic. Verse 28:
What jumps out at you?
I see a strong hint of major family dysfunction. Dad loves one twin because of what that twin does for him (this child brings his dad tasty wild game) while Mom loves the other twin (for no apparent reason, or at least we aren’t told)! We have all heard about unconditional love that parents are supposed to have for all of their children; we know the pitfalls of preferring one child more than the other. It is almost as if the author of this narrative is holding up a bright neon sign saying: WATCH OUT FOLKS, THIS FAMILY IS HEADED FOR TROUBLE WITH A CAPITAL “T.”
Let’s remember, Rebecca is the one who has heard the oracular pronouncement concerning who she will give birth to, and what will become of these twins. Does Yitzhak/Isaac know what Rebecca knows? What do you think? The text doesn’t say one way or the other. And let’s also remember that Yitzhak/Isaac may have suffered from post-traumatic stress syndrome after his near-sacrifice and might not have been sensitive to nuance.
This parasha also has the famous story of Esav selling his birthright for a pot full of “red-red stuff” (probably lentil stew). We read about God appearing to Isaac, repeating the promise given to Abraham…. plus a bunch of other juicy tidbits, but I am saving the best for last.
Chapter 27 is one of the most well crafted stories in all of Torah. Some of the lines are actually famous even today, and used as metaphors: “the voice is the voice of Jacob and hands are the hands of Esav…” (verse 23).
I invite you to think of this chapter as a one-act stage play with 7 scenes, some longer than others. In each scene (except for one) there are 2 characters on the “stage” in dialog with each other. Other characters lurk, but we don’t actually see them on the “stage.” The characters appearing are: Yitzhak, Rebecca, Esav, and Ya’akov.
In verse 35 we get the most poignant and pitiful cry of any in all of Torah. The twin whom dad loves the best has been cheated of the blessing of the first-born son; his younger twin brother (Ya’akov) came and pretended that he was the eldest! Now the deed has been done and Esav cries out with a “great and very bitter outcry, and he said to his father, ‘Bless me too, Father.’” Doesn’t this just break your heart?
Our parasha opens with the words, “The span of Sarah’s lifetime was…” indicating that Sarah, our first foremother, wife of Abraham and mother of Yitzhak, has died. We can know this only because now we can count her days. It is a statement filled with irony and sadness, because the text focuses on her death and burial, while using the words, “Sarah’s life(span).”
As one generation passes, the story continues with the next generation. Some early rabbinic commentators tell us that Sarah died when she heard the false rumor that her husband had sacrificed her beloved son — upon hearing this news, she had a heart attack from extreme grief. (Abraham had no instant messaging or updates on his Facebook status to let folks know something like “Trip to Mt. Moriah went well — sacrificed a ram instead of our son.”
Whatever the reason for her death, this parasha moves on to a narrative of new beginnings and romance, and provides a rich portrait of the second of our foremothers, Rebecca/Rivka. The g-dcast cartoon this week focuses on this story line. Watch it here:
The g-dcast storyteller in this episode gives us the plotline of how Abraham’s servant travels back to Abraham’s native land, in Aram Naharyim, to find a suitable wife for his son, Yitzhak/Isaac. (By the way, Yitzhak is the only one of the 3 forefathers who never leaves the Land of Canaan/the promised land/what becomes the Land of Israel.)
The g-dcast cartoon includes a traditional commentary which says that Rebecca/Rivka was only 3 years old when she performed the prodigious act of watering the caravan of 10 camels that came with Abraham’s servant and his retinue. Hmmm… Watering the camels is already quite a feat of prowess and strength (see Genesis chapter 24, verses 16, 18-20). Robert Alter (a UC Berkeley professor who writes and lectures on the bible) calls it the closest thing to a “feat of Homeric heroism…” in Genesis. She is, in Alter’s words, “a continuous whirl of purposeful activity. In 4 short verses she is the subject of eleven verbs of action and one of speech…”
While this sounds like the dervish-like activity of a hyper-active toddler, I don’t think she was a baby. Rather, I think the servant saw a beautiful teenager, “very comely to look at, a virgin…” (verse 16). She also was extremely kind, intuitive, resourceful, independent, gregarious and eager for adventure. Read the description of what she says (she has a voice!! amazing for a women in the Bible!!) in verses 57-61 when her kinsmen ask her if she wants to accept the generous offer to marry Yitzhak, the son of their relative, Abraham. The qualities just listed make Rivka a perfect choice for a marriage partner for Yitzhak, who, after his trauma of being almost slaughtered on an altar by his father, likely suffered from post-traumatic stress syndrome his entire life. He also seems to have been the more passive partner in this marriage.
When I read a commentary that just feels wrong, I feel perfectly OK disregarding the commentator’s interpretation and replacing it with my own, as long as it fits with the text. I want and need to be loyal to the text, and not distort it with some off-the-wall commentary just because it better suits my world-view.
The text belongs to all of us, and we can “turn it and turn it, because everything is in it” (Mishnah Avot 5:25).
Let’s end with a poem by Reba Connell on what happens when Rivka first sees Yitzhak, taking off on (Genesis chapter 24:64:
The name of each week’s parasha is typically the first Hebrew word of that grouping of chapters. This week’s parasha, VA-YERA/And He Appeared, tells multiple stories about Abraham and his family. In 5 short chapters a lot of stories are offered. Here’s the run-down:
Chapter 18: TWO very fascinating sagas. Story #1: Abraham hears from some visiting angels that he and Sarah will conceive a child even at their advanced old age; Sarah will give birth to Isaac/Yitzhak (whose name “he will laugh” was suggested by God in last week’s parasha). Story #2: God tells Abe that the city of S’dom will be utterly destroyed because its “sin is so grave” (Chapter 18 verse 17-25). At the end of this we read how Abraham bargains with God to save S’dom (Sodom).
Chapter 19: The destruction of S’dom and Gemorrah with all the evil-doing exposed. How Lot and his family are saved; how Lot’s wife turns into the famous pillar of salt (chapter 19 verses 15-26); how Lot’s daughters think the end of the world has come so get their father drunk, have sex with him, and each becomes pregnant (to keep the world’s population going).
Chapter 20: Abraham and Sarah travel south, meet up with the King of Gerar; Abraham again passes Sarah off as his sister, rather than his wife, causing major troubles for the King of Gerar AND Abraham. The plot thickens!
Chapter 21: Sarah gives birth to a baby boy, Yitzhak. He is weaned, grows into a little boy. One day, Sarah sees him “playing” (same Hebrew root word as his actual name) with his older brother Yishma’el, (the son of Hagar, the maidservant) and Sarah doesn’t like what she sees. She tells Abraham to banish Hagar the teenager Yishma’el once and for all and they are expelled to the desert.
Watch the g-dcast episode and find out what Hagar, the Egyptian maidservant sees when she is completely distraught and fears for her son’s life (read the story in chapter 21 verse 9-21).
Many people think of Abraham as SEEING things that others did not and could not (see last week’s blog for link to Martin Buber essay, Abraham The Seer.) This week, it is Hagar who SEES things others might have missed.
Finally, in Chapter 22 we come to a story that is at the top of my list of the most disturbing episodes in all of Torah, referred to as the Akedah/The Binding (chapter 22). This is when Abraham hears God’s command to sacrifice his son, Yitzhak, as a burnt offering. It is complicated from so many different angles and it seems to me that this saga has disturbed all who read it, back from the time that the story was born. Evidence of this goes back to the earliest midrashim/legends that comment on the story of the Akedah. The early rabbinic commentators (from the year 200 CE) frame the story as a “test” God gives Abraham. They posit that there were 10 “tests” in all and the Akedah was one of them. A fascinating way of looking at this idea that the Akedah is a “test” is offered by Bible professor, Dr. David Marcus of the Jewish Theological Seminary.
Professor Marcus introduces the literary idea of “prolepsis” also known in literature as “foreshadowing.” The idea is that somehow, we, the reader, know that this horrendous thing God requests is “just a test.” It’s kind of like the new Ben Affleck movie, Argo, the story of the rescue of U.S. hostages in Iran in 1979. Even though we know that the hostages will eventually be rescued, while we are watching the movie, we are swept away by the frightening situation and remain riveted, sitting at the edges of our seats.
But back to Genesis: yes, it’s true, we know that Abraham will pass the test of the Akedah and that in the end, he will sacrifice a ram instead of his beloved son and that everything will turn out OK. But still, we can’t help but think….
And now for some art:
This week’s Torah reading (“parasha”) throws us smack into the middle of the nitty-gritty of the first Hebrew family, Avram and Sarai, whose genealogy we read last week at the end of parashat Noah.
Terach (the idol maker) lived in Ur of the Chaldees and had 3 sons: Avram, Nahor and Haran. When they were grown, Avram and Nahor both took wives; Avram’s wife was Sarai… and her sister married Avram’s brother! To complicate things even more, both wives were the daughters of the 3rd son of Terach, Haran — which means that Avram married his niece! Before we even get started on the patriarchal and matriarchal tales of the Hebrews, we get an intertwined genealogy.
Then, the first thing we learn about Sarai is that she was barren (Genesis 11:30). Finally, we begin our parasha in chapter 12, with the plot getting ever more intense. A few incidents: Sarai is passed off as Avram’s sister in Egypt, Sarai becomes terribly jealous and wreaks havoc in the household when, after she gives Hagar (her handmaid) to Avram, Hagar actually becomes pregnant (Genesis 16:4-11).
But, we’ll leave the juicy parts for another time.
The parasha commences with the words, Lech Lecha, translated as “Go forth” or “Set yourself forth,” a command from God to Avram that begins chapter 12. Just one of many names in the genealogy of the previous chapter, now this one name, Avram, has the spotlight turned on him; we see Avram emerge as an individual character, whose life trajectory we will follow all the way until Chapter 25. He is the first figure we really get to know in some depth, and whose adventures and conversations describe what feels like a real person. He is more nuanced than the biblical figures before him (Adam, Noah, etc.) and because of this, we realize we have moved from a universal history to a national history that is also a personal history. In his book, On the Bible: Eighteen Studies, Martin Buber writes a magnificent chapter titled “Abraham the Seer (chapter 3).”
No matter that we may have read these verses before — in fact, we may have read them many times. And no matter that echoes of these verses have entered our lexicon and the consciousness of Western Civilization. After all, here is the biblical creation story — the poetic rendering of the way our world began. This is where we here sonorous, lofty phrases such as “Let there be Light!” This is where we meet some of the best known Bible figures: Adam, Eve, Cain, Abel and Noah. Lots of us have memories of these guys from our childhood, from the comic book version of the Bible, or a beautifully rendered children’s book.
These first five chapters and the first 8 verses of chapter 6 are so chock full of interesting things — so many puzzles, so many questions, so much angst and drama and so many beautiful images — that it is really hard to focus on just one thing. In fact, the creators of the G-dcast produced TWO renditions of this Parasha; watch both — each has different big ideas!
Chapter 1 gives us the famous creation story. But right away, in chapter 2, we get another creation story! How does that happen? What are the differences between these two stories? Which do you like more? Why do you suppose that the editors of the Torah kept both stories? Chapter 3 gives us the story of the Garden of Eden, and how the two humans interacted with their new pristine environment, with each other, and with God. In Chapter 4 we read more about this first human family, the two sons born to the first couple, and the first murder! Chapter 5 provides the first biblical genealogy, which some folks think has lots of fascinating tidbits to chew on. And in the first verses of Chapter 6, we get the set-up to the flood saga…
Doesn’t it seem like this should be divided into at least a month of Shabbat readings instead of all being packed into one week??
Lots of people have favorite parts in Parashat Bereshit. I happen to love verses 27 and 28 of Chapter 1:
Why? Well, it embodies a core Jewish belief—that each human is created in the image of God, and, at the very beginning, the first human was both male and female, some mystical androgynous being that later was separated.
We are at the penultimate chapters of the entire Five Books of Moses; in fact, the entire book of Deuteronomy has been one very long speech that Moses gives before he dies. In Ha’azinu (Deuteronomy chapter 32—50 verses), we get his poetic conclusion.
Ha’azinu literally means “give ear” and is addressed to the heavens and the earth. Moses wants the very heavens and earth to witness what the old prophet has to say as he winds down his life and his speech. This poem is his departing words to the people of Israel about God’s relationship with them, about God’s decisions to punish Israel, and about the ultimate deliverance of Israel from her foes (chapter 32 v 45-47). This poem isn’t an especially heart-warming one with beautiful, gentle metaphors. There is a lot of sturm und drang — warnings of the disastrous things that will happen if the “treacherous breed of children” disobeys the laws, as they are prone to do and have already done in the past.
God is referred to as The Rock in this poem, a powerful metaphor, one that avoids the anthropomorphic images stuck in some of our heads. The poem dichotomizes The Rock with the Children of Israel: The Rock is perfect, faithful, true and upright, whereas the Israelites are perverse, dull and witless, etc. Much of the poem sounds like an angry old man berating his ungrateful and wayward children for the terrible behaviors they have engaged in. After 43 verses of this dramatic exhortation, the chapter ends with a few lines of prose:
In the last few verses of Chapter 32 we read the difficult conversation between God and Moses, as the old prophet is instructed on how and where he is to die, and that although he can take a look at the Promised Land, he will never enter it because he “broke faith…with God…by failing to uphold God’s sanctity among the Israelites.” Ha’azinu is a chapter of Bible filled with painful endings.
The most solemn and holy day of the entire Jewish calendar is the Day of Atonement, Yom Kippur, which starts the evening of September 25 and goes through nightfall on September 26. We pause for 25 hours or so to re-enact our death and re-birth by wearing white, not drinking or eating, reflecting on where we have gone astray (as one ideally does on one’s death bed) and devoting many hours to serious contemplation of how we lead our lives.
There are 4 different readings from Scripture on Yom Kippur:
It’s a lot of scriptural reading on a very long day.
If you have never read Jonah, I recommend starting there:
It’s a universal story of one flawed human, called upon to be a prophet but he resists his task. Even the sailors on the boat he travels on and the regular townsfolk of Nineveh appear to know more about repentance than Jonah. What is this story about? Why read it on the holiest day of the year?
If you are somewhat familiar with the readings, think about the brilliant decision 1500 years ago to juxtapose the two very different morning readings: one all about rituals that are very distant and foreign to us, about slaughtering animals to expiate our sins; and the Haftarah, by Isaiah, demanding social justice. This prophet’s words still seem aimed at each of us here in 2012 and, I’m guessing, will always be relevant.
If you fast, may it be meaningful.
Outside, even here in northern California, we feel the seasons changing — time to shut the windows at night. It’s the new month of Tishray, the month loaded with Jewish holidays. It’s officially fall, which signals the very end of the yearly cycle of weekly Torah portions. This week’s portion is VaYelech which means “And He Went” (Deuteronomy 31) — the “he” referred to is Moses. This little chapter and the 3 following it comprise the epilogue to the 5 Books of Moses (the Torah). We hear God’s voice telling Moses that it is time for him to die (Moses himself admits aloud that at the age of 120, he no longer has the strength to lead the nation in battle).
In VaYelech, we read Moses’s preamble to his final poem, or “song”, as it sometimes called; he is tidying up loose ends. And what does he say? He repeats one phrase several times:
Along with this message we read of the appointing of Joshua, to take over as leader.
But how will Moses enable the people to remember to “be strong and courageous”? Good question! He and God have figured out that they must write down all of the history and laws so that this “teaching” or “Torah” will exist forever and will be recited in front of the entire people — men, women, children and strangers in the community. God and Moses both know that there will be backsliding, that things will go downhill, but, the fact that “the Good Book” exists in writing means that the “Teaching” will be around as a guidebook, “in the mouths” of the people, remembered and followed for generations.
For your consideration: