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Join the San Diego Jewish Film Festival and Jewish Family Service to explore the interfaith family experience, including a screening of the film Out of Faith followed by a facilitated discussion. Out of Faith is a feature-length documentary that follows three generations as they struggle with complex and emotionally-charged conflicts over intermarriage, familial duty, ethnic identity, and cultural continuity and survival.
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What’s the relationship between beauty in the material world and the beauty of the spiritual world? When you are in a place of beauty, how is it easier to get in touch with the Divine, or doesn’t it matter?
What about the beautification of the body — does it help to be dressed beautifully to get in touch with “soulful” work? Why or why not? Why do priests or religious officiants in many religions wear beautiful clothing or vestments?
Why do you think the Torah makes such a big deal about how the Tent of Meeting looks? Why does it repeat all of the descriptions multiple times?
This week we have the pleasure of reading a double portion of Torah — the last two sections of the book of Exodus/Sh’mot! About half has been dedicated to the detailed descriptions of how the Tent of Meeting, aka The Tabernacle, aka God’s Dwelling Place, is to be constructed. The G-dcast storyteller for Pekudei, the second portion read this week, tells us that this is mostly a repetition of what we already read earlier in the book of Exodus, and compares this to the attention you give to your first apartment, when you are newly in love and moving in together with your lover or spouse. He notes that the special relationship between the children of Israel and the God of Israel is like a marriage, one of the metaphors used by the early rabbis of the Talmud to describe the Israelites and God.
What do you think of comparing the relationship of a nation to its God, using such a human metaphor? How does this comparison work for you?
Interpreting the Vayakhel-Pekudei double portion through nail design!
The earlier parasha read this shabbat, Vayakhel, takes its name from the Hebrew word meaning “and he assembled” or gathered together. In this case, the “he” is God; we read that God gathered the whole people to tell them a few more things, like reminding them exactly what materials to use in building this Dwelling Place.
The G-dcast storyteller for Vayakhel sings a lovely tune about what each wise woman and wise man is to bring to construct God’s home. The way God instructs them is also lovely; in Exodus chapter 35 verse 5 we read: “take from among you gifts to the Lord; everyone whose heart so moves him shall bring them — gifts for the Lord…” It almost seems to be saying: I only want donations of materials that are brought with a full heart, willingly, and in joy. What a great way to ask for a donation!
Later in the same chapter, verse 29, we read the results of this request: “Thus, the Israelites, all the men and women whose hearts moved them to bring anything for the work that the Lord, through Moses, had commanded to be done, brought it as a freewill offering to the Lord.” It turns out that this “fundraising drive” was so utterly successful — with everyone bringing their gold and silver and jewelry — that the artisans in charge of the construction finally had to tell Moshe/Moses that no more gifts were needed, they had plenty of materials to work with (chapter 36 verses 4-7). When have you ever heard of a building project so amply endowed with gifts that the fundraisers called a halt to the voluntary contributions?!
One verse in Vayakhel has a special midrash/story attached, expanding upon the verse. Everything to be used in the Tent of Meeting is described in minute detail, from the curtains, to the loops that hold the curtains up, to the sculptural aspects of the golden lampstands. In chapter 38 verse 8 we find out that the special copper washing basin (laver) is to be built “from the mirrors of the women who served at the entrance of the Tent of Meeting.” Huh? The women have mirrors? They remembered to pack mirrors when they were leaving Egypt? OK, I guess we also need to suspend disbelief when reading about the lapis lazuli and dolphin skins, but let’s focus for a minute on these mirrors that are to be melted down to form the copper washing basins and stand.
First, we learn from Robert Alter that mirrors in the ancient world were made of polished bronze rather than glass, and were considered a luxury item in Egypt. He also reminds us that some of the medieval rabbis commented on this verse with the observation that here, the very objects that were used for the purposes of vanity are dedicated to the furnishing of the sacred worship place.
When Israel was in harsh labor in Egypt, Pharaoh decreed against them that they should not sleep at home nor have relations with their wives. Said Rabbi Shimeon bar Chalafta, What did the daughters of Israel do? They would go down to draw water from the river and God would prepare for them little fish in their buckets, and they would sell some of them, and cook some of them, and buy wine with the proceeds, and go to the field and feed their husbands… And when they had eaten and drunk, the women would take the mirrors and look into them with their husbands, and she would say, “I am more comely than you,” and he would say, ‘I am more comely than you.” And as a result, they would accustom themselves to desire, and they were fruitful and multiplied, and God took note of them immediatelyâ€¦.. In the merit of those mirrors which they showed their husbands to accustom them to desire, from the midst of the harsh labor, they raised up all the hosts, as it is said, “All the hosts of God went out of the land of Egypt” (Ex. 12:41) and it is said, “God brought the children of Israel out of the land of Egypt in their hosts” (Ex. 12:51).
The Israelite women used these mirrors both when they adorned themselves and when they were enticing their husbands to engage in intimate relations, but they didn’t hesitate to bring these mirrors as their contribution for furnishing the Tabernacle. Moshe wanted to reject them since he thought they were associated with vanity and things unholy. But God said to Moshe, “Accept these mirrors — they are dearer to Me than all the other contributions, because of the way the women used them when they were in Egypt. When their husbands were ready to give up eating, drinking, and having sex (because of the crushing labor), the wives would bring them food and drink and induce them to eat; then they would use the mirrors playfully, to awaken their husbands’ desires.” This resulted in many pregnancies and the perpetuation of the Israelite nation. The life-force was with the women — maybe that’s why God saw the greatness of those mirrors. They were used to induce love, sex, and appreciation between husbands and wives. And as a result, God wanted those mirrors to be somehow built into the Sanctuary where God planned to dwell among the Children of Israel.
“And he went out” are the opening words of the parasha this week, continuing our cliffhanger from the end of last week’s portion when Ya’akov /Jacob fled his home to avoid incurring his twin brother’s murderous wrath. If I were reading this story for the first time, I sure would be mighty curious to see what happens to this guy, who cheated his brother from getting the blessing of the first born son, and who stoops to deceiving his old blind father — at the behest of his mother. Talk about dysfunctional family dynamics!!
After fleeing home, the first night Ya’acov beds down by the side of the road, and uses a stone for a pillow. Seems like when you use a stone for a pillow you have very strange dreams. Ya’acov dreams of a ladder that has angels going up and down on it. (This is where we get the expression, Jacob’s Ladder.) He has a vision that God speaks to him (Genesis 28, verses 13-16). Ya’acov hears the same promise that was already made to his father and to his grandfather. When he wakes up in the morning, he realizes that this spot is special, even holy, and he says: “Indeed [or WOW!] the Lord is in this place, and I, I did not know.” Rabbi Larry Kushner wrote an entire book on how different commentators throughout history have interpreted this one little sentence.
Ya’acov then creates an altar to consecrate the spot and utters a very puzzling vow to the Lord — kind of a conditional vow — giving us another bit of insight into his character. He is looking more and more like a kind of schemer, wheeler-dealer type, which will develop further in later chapters. Then, he “lifts up his feet” and continues on his journey, like a man with a mission.
When he gets to his destination (his mother’s home town,) he sees a watering hole, a well, where the sheep are given water, and he begins a conversation with the local guys. If meeting at the well reminds you of something, you are correct in remembering that Ya’akov’s mother, Rebecca/Rivka, met the servant who would bring her to her husband at a similar well. The well is kind of like the office water cooler, or maybe like the after-work local bar. Serendipity is at play, and it’s easy for boy-meets-girl kinds of things to happen. In fact, there are other boy-meets-girl scenes in the Bible — they are called “type-scenes” by Robert Alter in his illuminating book, The Art of Biblical Narrative. Here’s the thing: our Torah was once an oral tradition. The storytellers wanted to keep the attention of the audience and there’s nothing like a “meet-cute” romantic touch to please the listeners.
It turns out that a cousin of Ya’akov is approaching: she is none other than the beautiful Rachel! Ya’akov summons up all his strength. He rolls the heavy rock from the mouth of the well, waters her sheep, kisses her, cries (out of relief??), and then gets invited home to meet his uncle, Laban, his own mother’s brother.
The conversation between uncle and nephew (Genesis 29, verses 14-28) is a gem. These two seem like they “speak each other’s language” in that they both like making deals and have more than a touch of deceit in their make-up. You probably can guess by now, if you’re unfamiliar with this story, that Ya’acov is head-over-heels in love with Rachel and wants to marry her, and Laban agrees, but, ultimately, he out-schemes our schemer, Ya’acov. Read what happens on the wedding night! (And by the way, the narrator has told us, way back in verse 17, that Rachel has an older sisterâ€¦. hmmmm, older sisterâ€¦. not so subtle a reminder of Ya’acov’s older brother?)
Another hint drops into our story: a hint to uncle Laban’s character. His name means “white,” but once we see his manipulations on the wedding night, we understand that calling him “white” is just a polite way of saying he’s the bad-guy twisting his moustache and wearing the black hatâ€¦ The no-goodnik who is, at his most basic, a liar and deceiver.
And so we are introduced to the 3rd generation of our foremothers and forefathers, with all of their personality flaws as well as their good features. Ya’akov ends up marrying two sisters, Rachel and Leah, and gets two more concubines (Zilpah and Bilhah) in the deal. These four women give birth to the sons who will become the Twelve Tribes of Israel, and let’s not forget the one daughter mentioned, Dinah, who has her own story. This week’s g-dcast tells us about the birthing competition in some detail:
What I love about this parasha is how many echoes of personality traits as well as verbal expressions we are given by the narrator. These days we know how genetics determines so much about who we are, what talents we have, what diseases we might inherit, how we present ourselves to the world, how we articulate, and how we think. Back then, when these stories were written, we learn that their authors recognized the same genetics at work. They might not have the language of science to label these phenomena “genetic,” but surely, as seen in this parasha, they showed us how history repeats itself in the different generations of the same family.
What do you notice about your choice of profession, or a particular hobby or interest, that is the same as others in your family?
Why do you suppose the Biblical forefathers and foremothers are represented with their faults as well as their virtues?
Our parasha opens with the words, “The span of Sarah’s lifetime was…” indicating that Sarah, our first foremother, wife of Abraham and mother of Yitzhak, has died. We can know this only because now we can count her days. It is a statement filled with irony and sadness, because the text focuses on her death and burial, while using the words, “Sarah’s life(span).”
As one generation passes, the story continues with the next generation. Some early rabbinic commentators tell us that Sarah died when she heard the false rumor that her husband had sacrificed her beloved son — upon hearing this news, she had a heart attack from extreme grief. (Abraham had no instant messaging or updates on his Facebook status to let folks know something like “Trip to Mt. Moriah went well — sacrificed a ram instead of our son.”
Whatever the reason for her death, this parasha moves on to a narrative of new beginnings and romance, and provides a rich portrait of the second of our foremothers, Rebecca/Rivka. The g-dcast cartoon this week focuses on this story line. Watch it here:
The g-dcast storyteller in this episode gives us the plotline of how Abraham’s servant travels back to Abraham’s native land, in Aram Naharyim, to find a suitable wife for his son, Yitzhak/Isaac. (By the way, Yitzhak is the only one of the 3 forefathers who never leaves the Land of Canaan/the promised land/what becomes the Land of Israel.)
The g-dcast cartoon includes a traditional commentary which says that Rebecca/Rivka was only 3 years old when she performed the prodigious act of watering the caravan of 10 camels that came with Abraham’s servant and his retinue. Hmmm… Watering the camels is already quite a feat of prowess and strength (see Genesis chapter 24, verses 16, 18-20). Robert Alter (a UC Berkeley professor who writes and lectures on the bible) calls it the closest thing to a “feat of Homeric heroism…” in Genesis. She is, in Alter’s words, “a continuous whirl of purposeful activity. In 4 short verses she is the subject of eleven verbs of action and one of speech…”
While this sounds like the dervish-like activity of a hyper-active toddler, I don’t think she was a baby. Rather, I think the servant saw a beautiful teenager, “very comely to look at, a virgin…” (verse 16). She also was extremely kind, intuitive, resourceful, independent, gregarious and eager for adventure. Read the description of what she says (she has a voice!! amazing for a women in the Bible!!) in verses 57-61 when her kinsmen ask her if she wants to accept the generous offer to marry Yitzhak, the son of their relative, Abraham. The qualities just listed make Rivka a perfect choice for a marriage partner for Yitzhak, who, after his trauma of being almost slaughtered on an altar by his father, likely suffered from post-traumatic stress syndrome his entire life. He also seems to have been the more passive partner in this marriage.
When I read a commentary that just feels wrong, I feel perfectly OK disregarding the commentator’s interpretation and replacing it with my own, as long as it fits with the text. I want and need to be loyal to the text, and not distort it with some off-the-wall commentary just because it better suits my world-view.
The text belongs to all of us, and we can “turn it and turn it, because everything is in it” (Mishnah Avot 5:25).
Let’s end with a poem by Reba Connell on what happens when Rivka first sees Yitzhak, taking off on (Genesis chapter 24:64:
Rivkah’s Voice by Reba Connell “And Rivkah lifted up her eyes and saw Yitzhak and fell off the camel.” — Genesis 24:64
she rises that morning
like every morning
to walk in the early light
and bring water from the well
among the dusty goats
she walks to the well
the sun hangs low in the sky
she squints in its glare
heavy jug on slight shoulder
as she lowers her jug
the waters see her
and immediately rise up
she does not hear the other maidens
whispering in surprise
the water flows uninterrupted
her jar has no bottom
she does not see the man or his camels
even as she rushes back and forth
all is the flowing water
the bright sun
and the voice surrounding her
you will be a sign to your descendants
because the waters rose to you
your sister of the future yet-to-be
miriam, will bring a well with her
for the thirsty children in the desert
the voice that says: elech, I will go
is both her own
and the same voice that said lech l’chah to avram
she follows the voice
her own and not her own
to the new land
for that voice
she will abandon family
even her well
the voice speaks to her
the whole journey
when she sees a strange man
the voice says
your descendants will remember him
you will love me as you do now
and follow my commandments
but it will not be written
she falls off the camel
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