Natalie Portman's Directorial Debut & Paper Towns' Nat WolffBy Gerri Miller
See how Portman is making her big splash in Israel and don't miss Paper Towns with Nat WolffGo To Pop Culture
When I sat down to write about Toldot, my husband said, “This is one of your favorite parshiot (plural of parasha – portion), isn’t it?” I laughed and said, “Yeah, it definitely ranks right up there with the best.” So, why do I like it so much?
Well, for starters, the family trauma-drama continues: We see what happens to our plucky heroine, Rebecca, after being married to Yitzhak/Isaac for 10 years, but still not blessed with children. Then she gets pregnant — with twins, no less!! She has a difficult pregnancy (having no clue that she is carrying twins). She is far from her own home, perhaps with no kinswomen to consult with, and decides to “inquire of the Lord” (Genesis 25: 22-23). The Lord tells her she is carrying the progenitors of two nations, given in the form of an oracular poem — terse and mysterious.
She gives birth to twins who look, and, later, behave, very differently. The eldest is called Esav (Esau) and the younger is called Ya’akov (Jacob). The descriptions of them in verses 25-28 tell us how different they are, but with no judgment. Many hundreds of years after the Bible was written, when the Jews were defeated, exiled, and subjugated by the Romans (in the first centuries of the common era), the rabbis of the Talmud did make judgments about Esav and Ya’akov and in fact, called Esav “wicked.” This week’s G-dcast narrator uses that midrashic interpretation. Check it out:
However, what I find the most illuminating in these verses is notT later interpretation but the actual Torah text as we have it right here. We read just a few words that provide remarkable insight into the family dynamic. Verse 28:
What jumps out at you?
I see a strong hint of major family dysfunction. Dad loves one twin because of what that twin does for him (this child brings his dad tasty wild game) while Mom loves the other twin (for no apparent reason, or at least we aren’t told)! We have all heard about unconditional love that parents are supposed to have for all of their children; we know the pitfalls of preferring one child more than the other. It is almost as if the author of this narrative is holding up a bright neon sign saying: WATCH OUT FOLKS, THIS FAMILY IS HEADED FOR TROUBLE WITH A CAPITAL “T.”
Let’s remember, Rebecca is the one who has heard the oracular pronouncement concerning who she will give birth to, and what will become of these twins. Does Yitzhak/Isaac know what Rebecca knows? What do you think? The text doesn’t say one way or the other. And let’s also remember that Yitzhak/Isaac may have suffered from post-traumatic stress syndrome after his near-sacrifice and might not have been sensitive to nuance.
This parasha also has the famous story of Esav selling his birthright for a pot full of “red-red stuff” (probably lentil stew). We read about God appearing to Isaac, repeating the promise given to Abraham…. plus a bunch of other juicy tidbits, but I am saving the best for last.
Chapter 27 is one of the most well crafted stories in all of Torah. Some of the lines are actually famous even today, and used as metaphors: “the voice is the voice of Jacob and hands are the hands of Esav…” (verse 23).
I invite you to think of this chapter as a one-act stage play with 7 scenes, some longer than others. In each scene (except for one) there are 2 characters on the “stage” in dialog with each other. Other characters lurk, but we don’t actually see them on the “stage.” The characters appearing are: Yitzhak, Rebecca, Esav, and Ya’akov.
In verse 35 we get the most poignant and pitiful cry of any in all of Torah. The twin whom dad loves the best has been cheated of the blessing of the first-born son; his younger twin brother (Ya’akov) came and pretended that he was the eldest! Now the deed has been done and Esav cries out with a “great and very bitter outcry, and he said to his father, ‘Bless me too, Father.'” Doesn’t this just break your heart?