Natalie Portman's Directorial Debut & Paper Towns' Nat WolffBy Gerri Miller
See how Portman is making her big splash in Israel and don't miss Paper Towns with Nat WolffGo To Pop Culture
Sam and I were sitting at breakfast this morning reflecting on our wedding, which was a week ago yesterday. We were exchanging our favorite moments and stating what we enjoyed about that special day.
Everything about the day was beautiful. Although the weather on the days before and after was cold and rain-drenched, the day of the wedding had clear, blue skies and temperatures in the low 70’s, which allowed us to take photos outside among the gorgeous fall leaves. Friends and family members from across the country traveled without difficulty, and shared in our joy. Everyone was dressed to the nines and looked stunning. The ceremony was so beautiful that I cried through most of it. Thankfully, Sam was prepared and surreptitiously slipped me a tissue a few minutes into the ceremony.
The ceremony carried additional emotional weight as a result of the items that were owned or created by our relatives. Sam’s tallis was on top of the chuppah, so he wore his deceased Uncle Morrie’s tallis. My brother Dave made the paper for the ceremony programs using some fabric from my maternal grandmother’s wedding dress. My sister Stephanie did the graphic design for the ceremony programs (and all other printed materials). Sam’s sister Diana crocheted all the kippot that the Jewish men wore during the ceremony, and our ketubah was painted by my sister Michelle, as we mentioned in an earlier post.
Sam and I worked really hard to combine both Judaism and Catholicism into the ceremony. Two close family friends, a rabbi and a priest, co-officiated the wedding, and both did a phenomenal job of partnering together and taking the lead on our ceremony. At the beginning of the ceremony, Sam’s sister Stacey explained the Jewish rituals and symbols, and my brother, Chris, explained the Catholic ones. The fathers recited the seven blessings together, and the mothers took part in the unity candle. A cantor friend of ours chanted the shehecheyanu and my sister Laura read from the book of Genesis. Afterwards, many of our family and friends came up to us and said, “I really enjoyed how you blended both religions in the ceremony.”
Anne’s favorite moment fell during the ceremony, when our dads split up the Seven Blessings. Sam’s dad said them in Hebrew, and my dad said the translations in English. My dad is a professor at the local university and his diction is very clear and precise, so he over-enunciated every syllable in each of the blessings. In a very emotional ceremony, these blessings broke the tension and made me laugh.
Aside from watching my parents walk me down the aisle, Sam’s favorite moment was during the hora. After Sam and I went up on the chairs, our parents were also hoisted up on the chairs. Now, we had warned my parents about this dance when we first started planning our wedding. My mom was still scared when four men lifted the legs of her chair up and down, while my dad’s expression was the complete opposite. He had a blast! Every time they hoisted him up, his hands went up, as if he was on a roller coaster. It was a lot of fun to see that much excitement and joy on my dad’s face.
“You guys clearly had thought of every little detail, and I really enjoyed how everything tied together.” Yes, we did have a beer themed wedding. The place cards were beer bottles, the centerpieces were made out of beer bottles, the favors were bottle openers, and we even made our own beer to serve during the reception. My sister Stephanie created a logo for us which was made out of a sheaf of barley, bottle cap, and a hop cone that resembled a heart. This logo was on the invitations, ceremony program, signage, beer labels, and all of the printed material. The logo was even incorporated into a tile mosaic, crafted by my sister Carolyn, which functioned as our guest book. My youngest sister Theresa took this logo and made tags for everything in the hospitality bags for the guests to enjoy at the brunch afterwards. The guests at the brunch also enjoyed oversized Jenga and Kerplunk games built by my brother Andrew. All of the wedding details went off without a hitch thanks to Nicole, another sister, who was the day-of-wedding-coordinator.
“I have been to several weddings before and never have I heard the Best Man or the Maid of Honor’s toast so clearly and so well thought out.” The credit is all theirs. The Maid of Honor went to school for theater management, so speaking clearly in front of a large group of people is second nature to her. The Best Man’s occupation is planning long term medical treatments, so it is quite understandable that his speech had a very distinct beginning, middle, and end.
“Even though I just met you, I feel like I have known you for years.” In some cases, family or friends from one side of the family had gotten to know our “other half” through this blog. In others, it was a reflection of how strangely similar our families are. When I was putting together a slideshow of Sam and I growing up, for the brunch following the wedding, there are some images of my family doing a goofy face and I found images of Sam’s family doing that same goofy face. Our siblings and cousins had a ball dancing with each other, especially to songs such as Wagon Wheel by Old Crow Medicine Show, and “Cotton Eyed Joe”. It was great seeing everyone on the dance floor having such a good time.
“Keep on blogging.” Many of our guests have been following this blog. There were a few people that I met in person for the first time at the wedding who knew me only through these blogs. Sam and I are both very grateful to Interfaith Family for providing us with this forum for communicating with the world our love for each other in our different faiths. Best of luck to the other couples on this wedding blog; I hope your weddings are as joyous, loving, and fun as ours.
Sam and I were discussing our ketubah (marriage contract) artwork and after much thought, we decided to ask Michelle to paint it for us. We looked at hundreds of designs online and most of the ketubot used trees because the Torah is referred to as the tree of life. We are comfortable using this imagery and would also like to incorporate the four seasons. After talking with Michelle she is combining these ideas into two trees of Spring and Summer reflecting the two trees of Fall and Winter to represent the years gone by and the years to come. We asked her to use chalk pastels in bright, bold colors to exude life and energy. Sam and I took what we liked from a lot of different designs and Michelle is combining all of our ideas together to create something uniquely for us.
Finding a scribe that would write interfaith text on a piece of someone else’s art took some research. We found a scribe who belongs to the New York Society of Scribes and happened to be visiting Boston, near where Michelle lives. Michelle met with this scribe and together they picked out the paper that would be conducive for both her chalk pastels and his calligraphy ink. After much discussion, we realized that it would be better logistically for Michelle to do her artwork after he wrote both the Hebrew and English text.
Finding the text for the ketubah was more difficult. We looked at several texts and it was a lot easier to pick out the language we didn’t like, than find something we both agreed upon. Sam wants the language to be more formal, in honoring the traditions of the past, whereas I would like the language to represent us both as equals. After going back and forth on text, nitpicking every word, we think we have finally agreed on some language but would like to get approval from our parents and Rabbi before the scribe begins his work.
Our goal is to get the text to the scribe by the end of this month, so he can create his calligraphy so Michelle has enough time to create her artwork. Our ketubah will be the most valuable piece of artwork in our home; therefore, we are being very diligent in crafting the language and design.