Natalie Portman's Directorial Debut & Paper Towns' Nat WolffBy Gerri Miller
See how Portman is making her big splash in Israel and don't miss Paper Towns with Nat WolffGo To Pop Culture
Reprinted with permission from The Jewish Journal of Greater Los Angeles.
July 14, 2006
A few weeks ago as the school year ended, my daughter stood on the bimah in the chapel of our synagogue and, with four of her fellow fifth-graders, led her Jewish day school's Monday Tefillah services. Four girls and a boy shared the honor, and their radically varying sizes bespoke the varying growth spurts that characterize this awkward age. Likewise, their maturity and ability to address their classmates ebbed and flowed during their short moments in the spotlight. But what brought that poignant mix of mother's pride and prejudice home, watching her among her friends in this holy setting, was just how different and alike my Rachel is from the rest. For, even as she blends in beautifully, she cannot help but stand out--my daughter was born Chinese.
Rachel is a Jewish American girl from China. My husband Richard Core and I enrolled her, starting at age 4, in Temple Israel of Hollywood, Calif., schools full time. Like every other kid there, she has become somewhat fluent in conversational Hebrew, knows the prayers by heart and has learned her Judaica lessons well. She is not the only Asian girl in her school--there are three, all adopted (two from China, one from Vietnam)--and she says she feels no different from anyone else. But among the mix of mostly Ashkenazi and Sephardic Jews that make up our community, she adds a special spice. And in her own discreet style, I believe she has helped teach her friends to be colorblind in ways that could last a lifetime.
Rachel will become bat mitzvah in slightly more than two years, and she has been preparing for that moment since pre-school. As a fourth-grader, she read from the Torah at a day school service, and earlier this year, she gave a d'var Torah before the upper grades. I attended both events, of course, and each time I cried.
To see my child leading prayers is a rite of passage that evokes the deepest emotions. I know I would probably cry to see any child of mine connect with the ancient rituals, taking on the mantel of our ancestors, and I am pleased that Rachel embarked upon this path in the safe, exploratory confines of her school. But when I look at Rachel in this context, I think, also, of her divergent origins, of her birth parents whom we likely will never meet, of her own genetic ancestors and their traditions that she carries, within her as well, in ways that are both conscious and not.
It is a gift to share our lives with a child of mixed culture, because nothing is obvious. As we think ahead to her bat mitzvah ceremony, we are thinking of ways of acknowledging Rachel's special heritage, whether in the food we serve--how bad could a kosher Chinese buffet be?--or the flowers, or maybe a special prayer. We will give thanks for the good fortune that made her part of our family, for the coincidence of adoption possibilities that led us to a foreign land to meet our daughter.
We will remember, too, as we see her accept the responsibilities of becoming a Jewish adult, that she is also becoming a woman of Asian and American heritage, and that whether she wants to or not, throughout her life she will be opening the eyes of those who look upon her. Rachel does not see herself as anything but one of her group, and she's mostly right in that. But the other day, when I watched her from afar, on the bimah, saying the Shema, I could not help but be reminded of how far we have come from the state-run orphanage filled with loving caregivers in Southern China, where Richard and I met her more than a decade ago.